Yamaha QY100 Ohjekirja

Owner’s Manual

2

This product utilizes batteries or an external power

supply (adapter). DO NOT connect this product to any

power supply or adapter other than one described in

the manual, on the name plate, or speciﬁcally recom-

mended by Yamaha.

WARNING:

Do not place this product in a position

where anyone could walk on, trip over ,or roll anything

over power or connecting cords of any kind. The use of

an extension cord is not recommended! IF you must

use an extension cord, the minimum wire size for a 25'

cord (or less ) is 18 AWG. NOTE: The smaller the AWG

number ,the larger the current handling capacity. For

longer extension cords, consult a local electrician.

This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended

by Yamaha. If a cart, etc., is used, please observe all

safety markings and instructions that accompany the

accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to

be correct at the time of printing. However, Yamaha

reserves the right to change or modify any of the speci-

ﬁcations without notice or obligation to update existing

units.

This product, either alone or in combination with an

ampliﬁer and headphones or speaker/s, may be capa-

ble of producing sound levels that could cause perma-

nent hearing loss. DO NOT operate for long periods of

time at a high volume level or at a level that is uncom-

fortable. If you experience any hearing loss or ringing in

the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the

time period before damage occurs.

Some Yamaha products may have benches and / or

accessory mounting ﬁxtures that are either supplied

with the product or as optional accessories. Some of

these items are designed to be dealer assembled or

installed. Please make sure that benches are stable

and any optional ﬁxtures (where applicable) are well

secured BEFORE using.

Benches supplied by Yamaha are designed for seating

only. No other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge

relating to how a function or effect works (when the unit

is operating as designed) are not covered by the manu-

facturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and

consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user

safe and environmentally friendly. We sincerely believe

that our products and the production methods used to

produce them, meet these goals. In keeping with both

the letter and the spirit of the law, we want you to be

aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable

battery which (if applicable) is soldered in place. The

average life span of this type of battery is approxi-

mately ﬁve years. When replacement becomes neces-

sary, contact a qualiﬁed service representative to

perform the replacement.

This product may also use “household” type batteries.

Some of these may be rechargeable. Make sure that

the battery being charged is a rechargeable type and

that the charger is intended for the battery being

charged.

When installing batteries, do not mix batteries with

new, or with batteries of a different type. Batteries

MUST be installed correctly. Mismatches or incorrect

installation may result in overheating and battery case

rupture.

Warning:

Do not attempt to disassemble, or incinerate any bat-

tery. Keep all batteries away from children. Dispose of

used batteries promptly and as regulated by the laws in

your area. Note: Check with any retailer of household

type batteries in your area for battery disposal informa-

tion.

Disposal Notice:

Should this product become damaged beyond repair,

or for some reason its useful life is considered to be at

an end, please observe all local, state, and federal reg-

ulations that relate to the disposal of products that con-

tain lead, batteries, plastics, etc. If your dealer is

unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product.

The model number, serial number, power require-

ments, etc., are located on this plate. You should record

the model number, serial number, and the date of pur-

chase in the spaces provided below and retain this

manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

PLEASE KEEP THIS MANUAL

92-BP

(bottom)

3

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or

even death from electrical shock, short-circuiting, damages, ﬁre or other hazards. These

precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble

the internal parts or modify them in any way. The instru-

ment contains no user-serviceable parts. If it should

appear to be malfunctioning, discontinue use immedi-

ately and have it inspected by qualiﬁed Yamaha service

personnel.

• Do not expose the instrument to rain, use it near water

or in damp or wet conditions, or place containers on it

containing liquids which might spill into any openings.

• If the AC adaptor cord or plug becomes frayed or dam-

aged, or if there is a sudden loss of sound during use of

the instrument, or if any unusual smells or smoke

should appear to be caused by it, immediately turn off

the power switch, disconnect the adaptor plug from the

outlet, and have the instrument inspected by qualiﬁed

Yamaha service personnel.

• Use the speciﬁed adaptor (PA-3B or an equivalent rec-

ommended by Yamaha) only. Using the wrong adaptor

can result in damage to the instrument or overheating.

• Before cleaning the instrument, always remove the

electric plug from the outlet. Never insert or remove an

electric plug with wet hands.

• Check the electric plug periodically and remove any dirt

or dust which may have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to

you or others, or damage to the instrument or other property. These precautions include, but

are not limited to, the following:

• Do not place the AC adaptor cord near heat sources

such as heaters or radiators, and do not excessively

bend or otherwise damage the cord, place heavy

objects on it, or place it in a position where anyone

could walk on, trip over, or roll anything over it.

• When removing the electric plug from the instrument or

an outlet, always hold the plug itself and not the cord.

• Do not connect the instrument to an electrical outlet

using a multiple-connector. Doing so can result in

lower sound quality, or possibly cause overheating in

the outlet.

• Unplug the AC power adaptor when not using the

instrument, or during electrical storms.

• Always make sure all batteries are inserted in confor-

mity with the +/- polarity markings. Failure to do so

might result in overheating, ﬁre, or battery ﬂuid leak-

age.

• Always replace all batteries at the same time. Do not

use new batteries together with old ones. Also, do not

mix battery types, such as alkaline batteries with man-

ganese batteries, or batteries from different makers, or

different types of batteries from the same maker, since

this can cause overheating, ﬁre, or battery ﬂuid leakage.

• Do not dispose of batteries in ﬁre.

• Do not attempt to recharge batteries that are not

intended to be charged.

• When the batteries run out, or if the instrument is not to

be used for a long time, remove the batteries from the

instrument to prevent possible leakage of the battery

ﬂuid.

• Keep batteries away from children.

(4)-7

4

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to

you or others, or damage to the instrument or other property. These precautions include, but

are not limited to, the following:

• If the batteries do leak, avoid contact with the leaked

ﬂuid. If the battery ﬂuid should come in contact with

your eyes, mouth, or skin, wash immediately with water

and consult a doctor. Battery ﬂuid is corrosive and may

possibly cause loss of sight or chemical burns.

• Before connecting the instrument to other electronic

components, turn off the power for all components.

Before turning the power on or off for all components,

set all volume levels to minimum. Also, be sure to set

the volumes of all components at their minimum levels

and gradually raise the volume controls while playing

the instrument to set the desired listening level.

• Do not expose the instrument to excessive dust or

vibrations, or extreme cold or heat (such as in direct

sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage

to the internal components.

• Do not use the instrument near other electrical products

such as televisions, radios, or speakers, since this

might cause interference which can affect proper opera-

tion of the other products.

• Do not place the instrument in an unstable position

where it might accidentally fall over.

• Before moving the instrument, remove all connected

adaptor and other cables.

• When cleaning the instrument, use a soft, dry cloth. Do

not use paint thinners, solvents, cleaning ﬂuids, or

chemical-impregnated wiping cloths. Also, do not

place vinyl, plastic or rubber objects on the instrument,

since this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on

the instrument, and do not use excessive force on the

buttons, switches or connectors.

• Do not operate the instrument for a long period of time

at a high or uncomfortable volume level, since this can

cause permanent hearing loss. If you experience any

hearing loss or ringing in the ears, consult a physician.

■

REPLACING THE BACKUP BATTERY

• This instrument contains a non rechargeable internal

backup battery which permits internal data to remain

stored even when the power is off. When the backup

battery needs replacing, the message "Backup

Batt.Low" will display in the LCD display. When this

happens, immediately back up your data, then have

qualiﬁed Yamaha service personnel replace the backup

battery.

• Do not attempt to replace the backup battery yourself, in

order to prevent the possible serious hazards. Always

have qualiﬁed Yamaha service personnel replace the

backup battery.

• Never place the backup battery in a location that a child

can reach, since a child might accidentally swallow the

battery. If this should happen, consult a physician

immediately.

■

SAVING USER DATA

• Always save data to a Memory Card (SmartMedia) fre-

quently, in order to help prevent the loss of important

data due to a malfunction or user operating error.

Always turn the power off when the instrument is not in

use.

Make sure to discard used batteries according to local

regulations.

Yamaha cannot be held responsible for damage

caused by improper use or modiﬁcations to the

instrument, or data that is lost or destroyed.

(4)-7

5

Meet the QY100.................................. 7

Power & Connections ........................ 8

Power Supply..........................................8

Using a Power Adaptor ....................8

Using Batteries.................................9

When to Replace the Batteries ......10

Setting Up.............................................11

The Connectors ..............................11

Audio Connections .........................14

MIDI Connections ..........................15

Connecting to a Personal

Computer .......................................16

The Controls...................................... 19

QY100 System Overview:

What It Is and What It Does............. 29

The Sequencer ...............................29

Tone Generator ..............................31

Effects ............................................32

Controller........................................32

Amp Simulator................................32

Guided Tour

Listen To the Demo.......................... 33

For Guitarists: Outstanding Amp

Simulation & Effects ........................ 36

Connection & Gain Adjustment ............36

Try Out the Preset Guitar Setups..........38

Customizing the Setups via the Amp

Simulator Parameters ...........................39

For Singers: Cool Vocal Processing 45

Connection & Gain Adjustment ............45

Try Out the Preset Microphone Setups 47

Customizing the Setups via the

Microphone Effect Parameters.............48

Instant Accompaniment .................. 53

But First … So You’ll Know What

We’re Talking About .............................53

Check Out the Preset Styles.................55

Add Chords & Play Along! ....................59

Record Your Own Chord

Progression & Pattern Changes...... 61

Fingered Chords .............................69

Tempo Changes, too … .................70

If You Make Mistakes …................70

Add Some Details to Complete the

Accompaniment ............................... 71

Voice Assignments ...............................71

Realtime Recording on the Sequencer

Tracks ...................................................73

About the “MULTI” Recording.............80

Step Accompaniment Recording... 81

“Pt” — Step Record Pattern Changes .84

“Cd” — Step Record Chord Changes ..87

Step Sequencer Track Recording ... 91

Creating Original

Accompaniment Patterns................ 98

The Preset Phrases...............................98

Combining Phrases In the Pattern

Mode ..................................................100

Recording Original Phrases.................105

Realtime Phrase Recording ..........105

Step Phrase Recording.................111

Pattern Voice mode ............................112

The Effect Send Display .....................113

Voice Editing .......................................115

Play Effects.........................................116

Reference Section

Playback Control ............................ 118

Play Effects.........................................124

Swing ...........................................126

Drum Table Remapping................128

The Song Voice Mode.................... 131

The Effect Send Display .....................136

Voice Editing .......................................138

Drum Edit .....................................142

The Song Jobs................................ 145

00 : Undo/Redo...................................147

01 : Quantize.......................................148

02 : Modify Velocity ............................151

03 : Modify Gate Time ........................153

Contents

6

04 : Crescendo....................................155

05 : Transpose ....................................157

06 : Shift Clock....................................158

07 : Chord Sort....................................160

08 : Chord Separate ............................161

09 : Copy Event ..................................162

10 : Erase Event..................................164

11 : Extract Event................................165

12 : Create Continuous .......................167

13 : Thin Out .......................................169

14 : Time Stretch ................................170

15 : Create Measure ...........................171

16 : Delete Measure ...........................172

17 : Copy Track ...................................173

18 : Mix Track .....................................174

19 : Clear Track ...................................175

20 : Expand Backing ...........................176

21 : Normalize.....................................177

22 : Copy Song ...................................178

23 : Clear Song ...................................179

24 : Song Name ..................................180

The Pattern Jobs ............................ 181

00 : Undo/Redo...................................183

01 : Quantize.......................................184

02 : Modify Velocity ............................187

03 : Modify Gate Time ........................189

04 : Crescendo....................................191

05 : Transpose ....................................193

06 : Shift Clock....................................194

07 : Chord Sort....................................196

08 : Chord Separate ............................197

09 : Copy Event ..................................198

10 : Erase Event..................................200

11 : Extract Event................................201

12 : Create Continuous .......................203

13 : Thin Out .......................................205

14 : Time Stretch ................................206

15 : Copy Phrase.................................207

16 : Get Phrase ...................................208

17: Put Phrase ....................................209

18 : Copy Track ...................................210

19 : Mix Track .....................................211

20 : Clear Track ...................................212

21 : Copy Pattern ................................213

22 : Clear Pattern ................................214

23 : Style Name ..................................215

Editing Songs & Patterns .............. 216

Engaging the SONG or PATTERN

Edit Mode.....................................216

Moving Around.............................219

Change Mode Editing...................220

Insert Mode Editing......................221

XG View ..............................................232

View Filter...........................................233

Phrase Table (Pattern Edit Only) .........234

Effects & Effect Editing .................. 236

Accessing & Editing the Effect

Parameters .........................................236

Effect Editing ......................................240

Utility Functions ............................. 242

Accessing the Utility Mode ..........242

System Parameters......................244

MIDI Parameters ..........................247

Bulk Dump....................................250

Fingered Zone ..............................252

Memory Card Functions ................ 254

About SmartMedia™ Memory Cards .254

Compatible Memory Cards ..........255

Memory Card Capacity.................255

Inserting and Removing Memory

Cards ............................................255

Format New Memory Cards

Before Use!..................................256

Handling Precautions....................256

Write-Protecting Memory Cards ..257

Back Up Your Data .......................257

Save ....................................................258

Load ....................................................262

Mk Dir (Make Directory) .....................265

Format ................................................268

Appendix ......................................... 270

Specifications......................................270

Troubleshooting ..................................272

Error Messages ..................................274

Glossary ..............................................277

Index ...................................................284

Contents

7

Meet the QY100

16-track sequencer, 525-voice tone module, unmatched auto-

matic accompaniment features and more all rolled into one! The

QY100 is a complete mini-studio for accompaniment and electronic

music production that you can use just about anywhere — at home

or on the road.

Guitarists!

The practice and accompaniment tool you’ve been wait-

ing for is here! Use the QY100 as your private “band” to reﬁne and

display your talents to the max.

Singers!

Think of it as a fully programmable, very versatile accompa-

niment and “karaoke” machine complete with a range of superb

vocal effects.

Keyboard Players, Composers, & All Electronic Musicians!

It’s all

here: the sequencer, the tone module, the advanced accompaniment

features. Everything you need to create even the most complex elec-

tronic music.

The screen displays as illustrated in this owner’s manual are for

instructional purposes, and may appear somewhat different

from the screens which appear on your instrument.

8

Power & Connections

Although the QY100 will run either from an optional AC adaptor or

batteries, Yamaha recommends use of an AC adaptor whenever possible.

Moreover, an AC adaptor is more environmentally friendly than batteries

and does not deplete resources.

Plug the DC output cable from a Yamaha PA-3B AC Adaptor (available

from your Yamaha dealer) into the DC IN jack on the rear panel, then plug

the adaptor into a convenient wall AC power socket.

CAUTION

• Do not attempt to use an AC adaptor other than the speciﬁed unit or an appropriate

replacement provided by your Yamaha dealer to power the QY100. The use of an

incompatible adaptor may cause irreparable damage to the QY100, and might pose a

serious shock hazard!

• Unplug the AC power adaptor when not using the instrument, or during electrical

storms.

Power Supply

Using a Power Adaptor

PA-3B

AC power

socket.

Power & Connections

9

Six 1.5V AA size (LR6) or equivalent batteries must ﬁrst be installed

in the battery compartment. Alkaline batteries are recommended for longer

life.

Never mix battery types, such as alkaline batteries with manga-

nese batteries or batteries from different makers.

z

Open Battery Compartment Cover

Open the battery compartment cover — located on the

instrument’s bottom panel — by pressing down on the grooved

section of the cover and sliding in the direction of the arrow, as

shown in the illustration.

x

Insert Batteries

Insert the six batteries, being careful to follow the polarity

markings on the bottom panel.

c

Replace Cover

Replace the compartment cover, making sure that it locks

ﬁrmly in place.

Using Batteries

10

Power & Connections

When the batteries run down, the following display will appear:

When the batteries run down more seriously, “Power Batt.End”

message will appear. In this case, memory card functions are no longer

accessible.

When this display appears, replace the batteries with a complete set

of six new batteries. NEVER mix old and new batteries!

CAUTION

• To prevent possible damage due to battery leakage, remove the batteries from the

instrument if it is not to be used for an extended period of time.

• If keeping the batteries and memory card inserted, a small current ﬂows through the

instrument. When the memory card is not used, remove the memory card from the

CARD slot.

When to Replace the Batteries

Power & Connections

11

What you will connect the QY100 to, and what you will connect to

the QY100, will depend entirely on your individual requirements, and it

would be impossible to cover all possibilities here. A few examples are pro-

vided below to help you get started.

q

DC IN Jack

(

→

page 8)

This jack is only used when you are powering the QY100

from an optional AC adaptor instead of batteries. The DC output

cable from an optional Yamaha PA-3B AC Power Adaptor is

plugged in here.

■

NOTE

• The batteries are automatically disconnected when a plug is inserted

into the DC IN jack.

Setting Up

The Connectors

wr qyt e

u

Right Side Panel

Rear Panel

12

Power & Connections

w

MIDI IN & OUT Connectors

(

→

pages 15, 16)

If you plan to use a MIDI keyboard or other instrument to

play and program the QY100, it should be connected to QY100

MIDI IN connector (see “MIDI Connections,” on page 15). The

MIDI OUT connector can be connected to an external tone gener-

ator if you want to drive external voices from the QY100

sequencer, or a MIDI data recorder such as the Yamaha MDF3 if

you want to store your songs and patterns to ﬂoppy disk.

e

LINE OUT/PHONES Jack

(

→

page 14)

This miniature stereo phone jack can be used to connect

the output of the QY100 to a stereo sound system, or a pair of

stereo headphones with a miniature stereo phone plug can be

plugged in here for convenient monitoring (see “Audio Connec-

tions,” on page 14). The output level is adjusted via the VOLUME

control on the left side panel.

r

TO HOST Connector & HOST SELECT Switch

(

→

pages 15, 16)

This jack and selector switch allow direct connection to a

personal computer without the need for a separate MIDI inter-

face. See “Connecting To a Personal Computer” on page 16 for

details.

t

FOOT SW Jack

(

→

page 245)

An optional FC-4 or FC-5 foot switch can be connected

here to perform a number of switching functions. The footswitch

function is selected via the UTILITY functions described on page

245.

Song and Pattern Playback:

The footswitch can be used to

start and stop song or pattern playback.

Section Switching:

The footswitch can be used to select the

QY100’s various style “sections” (e.g. INTRO, MAIN A, FILL

AB, etc.) during song or pattern playback.

Power & Connections

13

Amp Simulator Switching:

The footswitch can be used to

switch the speciﬁed sections of the QY100 amp simulator in

or out. The foot switch can be used to bypass the preamp sec-

tion only (delay when a microphone setup is selected), the

reverb effect only, the chorus effect only, or all three simulta-

neously (pages 44 and 52).

y

GUITAR/MIC INPUT Jack

(

→

pages 36, 45)

Connect your guitar or microphone here to use the

QY100’s superlative guitar and vocal effects. The GAIN control

next to the GUITAR/MIC input jack allows matching with a wide

range of guitars and microphones.

u

CARD Slot

(

→

page 254)

The QY100 CARD slot accepts standard memory cards for

convenient storage of settings and sequences. Card access and

operations are described on page 254.

CAUTION

• When connecting a microphone to the QY100 GUITAR/MIC input, be

sure that a microphone amp simulator setup is selected ﬁrst (page 48).

Loud feedback may occur if one of the guitar setups is selected.

14

Power & Connections

The simplest way to monitor the QY100 sound is via a pair of stereo

headphones (miniature stereo phone plug type) plugged into the LINE OUT/

PHONES jack. If you want to use an external stereo sound system, how-

ever, use the supplied “Y” cable (miniature stereo phone plug to dual RCA

pin plugs) to connect the LINE OUT/PHONES jack to the inputs of a stereo

sound system. The white RCA pin plug goes to the left-channel input of

your stereo sound system and the red plug goes to the right-channel input.

CAUTION

• Make sure that both the QY100 and your sound system are turned OFF (STANDBY)

when making connections.

Audio Connections

LR

Stereo Sound System

Power & Connections

15

Although the QY100 can be played and programmed from the built-

in micro-keyboard, an external MIDI keyboard connected to the MIDI IN

connector provides the added advantages of standard keyboard size and

key velocity sensivity (if your keyboard has a velocity-sensitive keyboard).

Connect the MIDI OUT connector of the keyboard to the MIDI IN connec-

tor of the QY100, and make sure that the QY100 HOST SELECT switch is

set to MIDI. The connected MIDI keyboard will play the voice assigned to

the currently selected sequencer track. See page 71 for instructions on

how to assign different voices to the sequencer tracks.

MIDI Connections

MIDI OUT

(HOST SELECT switch

is set to MIDI)

External MIDI Keyboard

16

Power & Connections

Although the QY100 can be connected to a personal computer via

the MIDI IN/OUT connectors and a MIDI interface, the TO HOST connector

and selector switch allow direct connection to Apple Macintosh, or IBM-PC/

AT series personal computers for sequencing and other music applications

without the need for a separate MIDI interface.

■

IMPORTANT!

• If the QY100 is to be connected to a computer via the TO HOST connector and a

MIDI controller via the MIDI IN connector, the “echo back”(or “MIDI Thru” etc) func-

tion of the music software or sequencer you are using must be turned “on” so that

the MIDI note data from the controller is returned to the QY100 and any subsequent

devices connected to the QY100 MIDI OUT connector.

Connecting to a Personal Computer

TO HOST

QY100

MIDI

OUT

MIDI

IN

MIDI IN

MIDI OUT

Tone Generator

Personal Computer

MIDI Controller

(MIDI Keyboard etc)

echo back = ON

Power & Connections

17

●

Connecting to an Apple Macintosh Series Computer

Connect the TO HOST connector of the QY100 to the

modem or printer port on your Macintosh, depending on which

port your MIDI software is using for MIDI data communication,

using a standard Macintosh 8-pin system peripheral cable. Set the

HOST SELECT switch to the “Mac” position.

You may also have to make other MIDI interface settings

on the computer side, depending on the type of software you use

(refer to your software owner’s manual). In any case the clock

speed should be set to 1 MHz.

“Mac” Cable Connections

• 8-pin system peripheral cable.

• Data transfer rate: 31,250 bps.

●

Connecting to an IBM-PC/AT Series Computer

Connect the TO HOST connector of the QY100 to the RS-

232C port on your IBM computer, using a standard 8-pin MINI

DIN

→

9-pin D-SUB cross cable. Set the HOST SELECT switch to

the “PC-2” position.

Refer to your software owner’s manual for information on

any settings you might have to make on the computer side.

“PC-2” Cable Connections

• 8-pin mini DIN

→

9-pin D-SUB cable.

• Data transfer rate: 38,400 bps.

2 (HSK i)1

1 (HSK 0)2

5 (RxD-)3

MINI DIN

8-PIN

4 GND4

3 (TxD-)5

8 (RxD+)6

7 (GP i)7

6 (TxD+)8

MINI DIN

8-PIN

TO HOST

connector

Modem or

printer port

8 (CTS)1

7 (RST)2

2 (RxD)3

4 5 (GND)

8

3 (TxD) 5

MINI DIN

8-PIN

D-SUB

9-PIN

TO HOST

connector

RS-232C

port

18

Power & Connections

●

Connecting to a USB interface

(such as the Yamaha UX256)

If your computer does not have an RS-232C port or

modem/printer port, the QY100 can be connected via a separate

USB interface such as the Yamaha UX256.

Connect the USB port of your UX256 or other USB inter-

face to the USB port on your computer using a USB cable. Install

the appropriate driver software on your computer (the driver soft-

ware should be supplied with the USB interface. Connect the TO

HOST connector or MIDI IN/OUT connector of the QY100 to your

USB interface. For detailed information, refer to the owner’s man-

ual that came with your USB interface.

Computer

(sequencer software)

USB cable

UX256

QY100

MODEL

If necessary, attach the included rubber feet to the bottom of the

QY100 as shown in the following illustration.

Rubber feet

The Controls

19

The Controls

The QY100 has fairly simple, consistent control interface that,

once understood, makes operation fast and easy, no matter what

operation you are performing. If you read through this section care-

fully, and try out the procedures in the ”TRY THIS” sections, you

should have no problem accessing and operating the QY100’s many

advanced features.

q !4

Left Side Panel

Rear Panel

w !5

20

The Controls

q

POWER Switch

Slide to the “ON” position to turn the QY100 on, or to the

“STANDBY” position to turn it off.

w

LCD Display & CONTRAST Control

This large multi-function liquid crystal display panel shows

all parameters and prompts you need to operate the QY100 with

optimum ease and efﬁciency.

Use the CONTRAST control on the rear panel to achieve

the best display visibility (LCD visibility varies greatly with viewing

angle and lighting).

e

[SONG] Button

Use this button to select the QY100 SONG mode from any

other mode, and to switch between the SONG, SONG VOICE,

and SONG EFFECT displays.

w!5 o !6 u

!7

!8

e

r

t

y

!3

!1

!0

i

!2

Front Panel

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Yamaha QY100 Ohjekirja

Yamaha QY100 Ohjekirja

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