Yamaha CVP-701 Omistajan opas

CVP

-

701

Reference Manual

This Reference Manual explains advanced features of this instrument that are not explained in the Owner’s Manual.

Please read the Owner’s Manual ﬁrst, before reading this Reference Manual.

EN

2 CVP-701 Reference Manual

Contents

1 Piano Room – Enjoying Piano Performance – 3

2 Voices – Playing the Keyboard – 3

Voice Characteristics .........................................................3

Selecting GM&XG, MegaVoices and Other Voices

from the Panel....................................................................5

Adjusting the Depth of Reverb and Chorus for

VRM Voices .......................................................................5

Adjusting the Tuning Curve and Volume of the Key-Off

Sound for Piano Voices .....................................................6

Confirm the Assignments of Drum Kit Voices ....................7

Selecting the Harmony/Echo type......................................8

Pitch-Related Settings .......................................................9

Editing Voices (Voice Set) ...............................................12

Editing Organ Flutes Parameters.....................................17

3

Styles – Playing Rhythm and Accompaniment

–18

Style Playback Settings ...................................................18

Specifying Chords with Your Right Hand while

Playing Bass with Your Left Hand....................................21

Searching for Suitable Songs for the Current Style

(Repertoire)......................................................................22

Memorizing an Original One Touch Setting .....................23

Confirming the One Touch Setting Contents ...................23

Creating/Editing Styles (Style Creator) ............................24

4 Song Playback – Playing and Practicing Songs –

38

Editing Music Notation Settings .......................................38

Using the Auto Accompaniment Features with

Song Playback.................................................................40

Song Playback Related Parameters (Repeat settings,

Channel settings, Guide Function)...................................41

5 Song Recording via MIDI – Recording Your

Performance via MIDI – 46

Recording Style Playback First, Then Melodies ..............46

Creating/Editing Songs (Song Creator) ...........................49

6 USB Audio Player/Recorder – Playback and

Recording Audio Files – 66

7 Microphone – Connecting a Microphone and

Singing Along with Your Performance – 66

Making and Saving the Microphone Settings

(Vocal/Talk)......................................................................66

8 Music Finder – Calling Up Ideal Setups (Voice,

Style, etc.) for Each Song – 69

Registering a Song, Audio or Style File (SONG/AUDIO/

STYLE) ............................................................................69

Creating a Set of Favorite Records..................................71

Editing Records................................................................72

Saving the Record as a Single File..................................73

9 Registration Memory – Saving and Recalling

Custom Panel Setups – 74

Deleting or Renaming the Registration............................74

Confirming the Registration Memory Information ............75

Disabling Recall of Specific Items (Freeze) .....................76

Calling Up Registration Memory Numbers in Order

(Registration Sequence) ..................................................76

10 Mixing Console – Editing the Volume and Tonal

Balance – 79

Editing VOL/VOICE Parameters ......................................79

Editing FILTER Parameters .............................................81

Editing TUNE Parameters................................................81

Editing EFFECT Parameters ...........................................82

Editing EQ Parameters ....................................................84

Selecting the Master EQ Type .........................................85

Editing Master Compressor Settings ...............................86

11 Connections – Using Your Instrument with Other

Devices – 88

Footswitch/Foot Controller Settings .................................88

Wireless LAN Settings .....................................................92

MIDI Settings ...................................................................94

12 Utility / System – Making Global Settings – 100

CONFIG1 .......................................................................100

CONFIG2 .......................................................................102

PARAMETER LOCK......................................................104

USB................................................................................104

OWNER .........................................................................105

BACKUP/RESTORE......................................................105

SETUP FILES ................................................................106

RESET ...........................................................................107

Index 108

* Each chapter in this Reference Manual corresponds to the relevant chapters in the Owner’s Manual

• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat dif-

ferent from those on your instrument.

• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

Using the PDF manual

• To quickly jump to items and topics of interest, click on the desired items in the “Bookmarks” index to the left

of the main display window. (Click the “Bookmarks” tab to open the index if it is not displayed.)

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• Select “Find” or “Search” from the Adobe Reader “Edit” menu and enter a keyword to locate related informa-

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2

1

CVP-701 Reference Manual 3

Piano Room

– Enjoying Piano Performance –

These operations are fully explained in the Owner’s Manual. Refer to the corresponding chapter in

the Owner’s Manual.

Voices

– Playing the Keyboard –

Contents

Voice Characteristics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Selecting GM&XG, MegaVoices and Other Voices from the Panel . . . . . . . . . . . . . . . . . . . . . . . 5

Adjusting the Depth of Reverb and Chorus for VRM Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Adjusting the Tuning Curve and Volume of the Key-Off Sound for Piano Voices . . . . . . . . . . . 6

Confirm the Assignments of Drum Kit Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Selecting the Harmony/Echo type. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Pitch-Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

• Fine-tuning the Pitch of the Entire Instrument . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

• Scale Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

• Changing the Part Assignment of the TRANSPOSE Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Editing Voices (Voice Set) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

• Editable Parameters in the VOICE SET Displays. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

• Disabling Automatic Selection of Voice Sets (Effects, etc.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Editing Organ Flutes Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

The Voice type and its defining characteristics are indicated above the Voice name in the Voice Selection display.

Voice Characteristics

VRM

(Virtual Resonance

Modeling)

See the Owner’s Manual, chapter 2.

Natural! Natural! Voices are high quality sounds on many specialist sampling techniques.

They are especially suited to recreating Piano and other keyboard instruments.

Live! Live! Voices feature stereo sampling, to reproduce accurately the stereo image of

an acoustic instrument, as well as the ambience of the room it was recorded in.

S.Art!

(Super Articulation)

See the Owner’s Manual, chapter 2.

Voices – Playing the Keyboard –

4 CVP-701 Reference Manual

Voices – Playing the Keyboard –

2

NOTE MegaVoices are not compatible with other models even though the model may have those types of Voices installed. Any Song or Style data you’ve created

on the instrument using these Voices will not sound properly when played back on other instruments.

NOTE MegaVoices sound differently depending on the keyboard range, velocity, touch, etc. Hence, if you apply a harmony or echo effect, change the transpose

setting or change the Voice Set parameters, unexpected or undesired sounds may result.

Cool! Cool! Voices reproduce the complex characteristics of Electric Instruments, by

utilizing sophisticated programming techniques in both voicing, and the use of

DSP effects.

Sweet! Sweet! Voices are acoustic instruments which feature the sampled vibrato of the

original player, creating a far more realistic and emotional performance than

synthesized vibrato.

Drums Drum & Percussion instruments are mapped across the keyboard so you can play

them directly, or use in music production.

Live! Drums Stereo sampling is used for these high definition Drum and Percussion

instruments, which are mapped across the keyboard so you can play them directly,

or use in music production.

SFX Special percussion and sound effects are mapped across the keyboard, so you can

play them directly, or use in music production.

Live! SFX Stereo sampling is used for these high definition special percussion and sound

effects, which are mapped across the keyboard so you can play them directly, or

use in music production.

Organ Flutes! OrganFlutes! lets you create your own Organ registrations, by combining Organ

Flute Footages at different pitches, just like a real organ. See page 17 for details.

MegaVoice MegaVoice is a special Voice format designed for use in styles and songs, not for

live performance. Different velocity ranges are used to select dramatically

different playing styles simultaneously, and without changing the voice.

Actual sound maps for the MegaVoices are given in the separate Data List booklet

that comes with your instrument.

CVP-701 Reference Manual 5

Voices – Playing the Keyboard –

2

The GM&XG Voices and MegaVoice cannot be directly called up from the VOICE category selection buttons.

However, they can be called up via panel operation by following the procedure below.

1 In the Main display, select the keyboard part to which the desired Voice is to be

assigned.

2 Press one of the VOICE category selection buttons to call up the Voice Selection

display.

3 Press the [8] (UP) button to call up the Voice categories.

4 Press the [2] (P2) button to display Page 2.

5 Press the desired [A] – [J] button to call up the Voice Selection display of GM&XG

Voices, GM2 Voices, etc.

6 Select the desired Voice.

When you select a Piano Voice compatible with VRM (referred to as VRM Voices), you can adjust the depth

of the Reverb and Chorus effect that is applied to the VRM Voices.

1 Select the VRM Voice.

Press the VOICE category [PIANO] button to call up the Voice Selection display, then select a Voice

having a “VRM” indication above its name.

Selecting GM&XG, MegaVoices and Other Voices from the Panel

Adjusting the Depth of Reverb and Chorus for VRM Voices

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Voices – Playing the Keyboard –

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2 Call up the operation display.

[FUNCTION] → TAB [ ][ ] MENU1 → [F] VOICE SETTING → TAB [ ][ ] PIANO

3 Use the [A]/[B] buttons to select “1. VRM/DAMPER RESONANCE DEPTH/STRING

RESONANCE DEPTH/REVERB DEPTH/CHORUS DEPTH.”

4 Use the [5]/[6] buttons for adjusting the reverb depth and the [7]/[8]

buttons for the chorus depth applied to the VRM Voices.

This setting is applied commonly to all parts for which VRM Voices are selected.

You can adjust the tuning curve and volume of the key-off sound (the subtle sound that occurs when you

release a key) for Piano Voices.

1 Call up the operation display.

[FUNCTION] → TAB [ ][ ] MENU1 → [F] VOICE SETTING → TAB [ ][ ] PIANO

2 Use the [A]/[B] buttons to select “2. TUNING CURVE/KEY OFF SAMPLING DEPTH.”

Adjusting the Tuning Curve and Volume of the Key-Off Sound for

Piano Voices

4

3

2

3

CVP-701 Reference Manual 7

Voices – Playing the Keyboard –

2

3 Use the [3] – [6] buttons to select the appropriate settings or to adjust the

value.

When you select one of the specific Drum Kit Voices below, you can confirm the key assignments in the

Drum Kit Tutor display.

Compatible Drum Kit Voices:

StandardKit1, StandardKit2, HitKit, RoomKit, RockKit, JazzKit, BrushKit, SymphonyKit, StudioKit,

PowerKit1, PowerKit2, AcousticKit, RealDrums

Call up the Drum Kit Tutor display.

Select the compatible Drum Kit Voice in the Voice Selection display → [8] MENU1 → [4] (DRUM KIT)

NOTE The Drum Kit Tutor display is not available for some Drum Kit Voices for which the “DRUM KIT” button is not available in MENU1 at the bottom of the Voice

Selection display.

In the default setting, the C3-B3 range of the keyboard is shown for confirming the assignments. When you

press a key, the instrument name assigned to the key is shown in the display. To confirm other assignments

outside that range, use the [D]/[E] or [I]/[J] buttons to shift the keyboard illustration left or right by one octave

in the display, or press a key in another octave.

[3]/

[4]

TUNING CURVE Determines the tuning curve. Select “FLAT” if you want the tuning

curve of the piano Voice to most accurately match that of other

instruments Voices.

STRETCH:

Tuning curve often employed by piano tuners to make the upper

octaves sound more natural. Best for solo piano performance.

FLAT:

Tuning curve in which the frequencies of the notes are repeated for

each octave over the entire keyboard range.

[5]/

[6]

KEY OFF SAMPLE Adjusts the volume of the key-off sound.

Confirm the Assignments of Drum Kit Voices

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Voices – Playing the Keyboard –

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This function lets you apply harmonies to your right hand performance according to the chords you play with

your left hand, and trigger automatic echo or tremolo even by pressing a single note or two notes.

1 Press the [VOICE EFFECT] button.

2 Turn the Keyboard Harmony on by pressing the [I] (KEYBOARD HARMONY) button.

3 Call up the operation display by pressing the [J] (TYPE SELECT) button.

4 Use the [1] – [3] buttons to select the Harmony/Echo type.

The Harmony/Echo types are divided into the following groups, depending on the particular effect applied.

 Harmony Types

When one of the Harmony Types is selected, the Harmony effect is applied to the note played in the right-

hand section of the keyboard according to the type selected above and the chord specified in the chord

section of the keyboard shown below.

If you want to use these Types, play back the style or set the “STOP ACMP” parameter (page 19) to a

setting other than “DISABLED.”

Selecting the Harmony/Echo type

Harmony Types

These types apply the harmony effect to notes played in the right-hand section of the

keyboard according to the chord specified in the left-hand section of the keyboard.

(Note that the “1+5” and “Octave” settings are not affected by the chord.)

Multi Assign Type

This type applies a special effect to chords played in the right-hand section of the

keyboard.

Echo Types

These types apply echo effects to notes played in the right-hand section of the

keyboard in time with the currently set tempo.

Split Point

(for the Voice)

LEFT Voice and chord section

for Harmony effect

RIGHT 1 and 2 Voices

Chord section for Style playback

and Harmony effect

Chord section for Style playback

and Harmony effect

Split Point

(for Style playback)

Split Point

LEFT Voice

RIGHT 1 and 2

Voices

CVP-701 Reference Manual 9

Voices – Playing the Keyboard –

2

 Multi Assign Type

The Multi Assign effect automatically assigns notes played simultaneously on the right-hand section of

the keyboard to separate parts (Voices). Both keyboard parts [RIGHT 1] and [RIGHT 2] should be turned

on when using the Multi Assign effect. The Right 1 and Right 2 Voices are alternately assigned to the

notes in the order you play.

 Echo Types

When one of the Echo Types is selected, the corresponding effect (echo, tremolo, trill) is applied to the

note played in the right-hand section of the keyboard in time with the currently set tempo, regardless of the

[ACMP ON/OFF] and the LEFT part on/off status. Keep in mind that Trill only works when you hold

down two notes on the keyboard simultaneously (last two notes if more than two notes are held), and it

plays those notes alternately.

5 Use the [4] – [8] buttons to select various Harmony/Echo settings.

The available settings differ depending on the Harmony/Echo type.

Fine-tuning the Pitch of the Entire Instrument

You can fine-tune the pitch of the entire instrument — a useful feature when playing the Clavinova along with

other instruments or CD music. Please note that the Tuning function does not affect the Drum Kit or SFX Kit

Voices with name “*** kit” and audio files.

1 Call up the operation display.

[FUNCTION] → TA B [ ][ ] MENU1 → [E] MASTER TUNE/SCALE TUNE → TAB [ ][ ]

MASTER TUNE

2 Use the [4]/[5] buttons to set the tuning in 0.2 Hz steps, from 414.8–466.8 Hz.

Press the both 4 or 5’s [



] and [



] buttons simultaneously to reset the value to the factory setting of 440.0 Hz.

[4] VOLUME This parameter is available for all types with the exception of “Multi

Assign.” It determines the level of the harmony/echo notes generated by

the Harmony/Echo effect.

[5] SPEED This parameter is only available when Echo, Tremolo, or Trill is selected

in Type above. It determines the speed of the Echo, Tremolo, and Trill

effects.

[6] ASSIGN This parameter is available for all types with the exception of “Multi

Assign.” This lets you determine the keyboard part via which the har-

mony/echo notes will be sounded.

[7] CHORD NOTE

ONLY

This parameter is available when one of the Harmony Types is selected.

When this is set to “ON,” the Harmony effect is applied only to notes

(played in the right-hand section of the keyboard) that belong to a chord

played in the chord section of the keyboard.

[8] TOUCH LIMIT This parameter is available for all types with the exception of “Multi

Assign.” It determines the lowest velocity value at which the harmony

note will sound. This allows you to selectively apply the harmony by your

playing strength, letting you create harmony accents in the melody. The

harmony effect is applied when you play the key strongly (above the set

value).

Pitch-Related Settings

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Voices – Playing the Keyboard –

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Scale Tuning

You can select various scales for playing in custom tunings for specific historical periods or music genres.

1 Call up the operation display.

[FUNCTION] → TAB [ ][ ] MENU1 → [E] MASTER TUNE/SCALE TUNE → TAB [ ][ ]

SCALE TUNE

2 Use the [A]/[B] buttons to select the desired scale.

 Preset Scale types

EQUAL The pitch range of each octave is divided equally into twelve parts, with each

half-step evenly spaced in pitch. This is the most commonly used tuning in

music today.

PURE MAJOR, PURE

MINOR

These tunings preserve the pure mathematical intervals of each scale, especially

for triad chords (root, third, fifth). You can hear this best in actual vocal

harmonies — such as choirs and a cappella singing.

PYTHAGOREAN This scale was devised by the famous Greek philosopher and is created from a

series of perfect fifths, which are collapsed into a single octave. The 3rd in this

tuning is slightly unstable, but the 4th and 5th are beautiful and suitable for

some leads.

MEAN-TONE This scale was created as an improvement on the Pythagorean scale, by making

the major third interval more “in tune.” It was especially popular from the 16th

century to the 18th century. Handel, among others, used this scale.

WERCKMEISTER,

KIRNBERGER

This composite scale combines the Werckmeister and Kirnberger systems,

which were themselves improvements on the mean-tone and Pythagorean

scales. The main feature of this scale is that each key has its own unique

character. The scale was used extensively during the time of Bach and

Beethoven, and even now it is often used when performing period music on the

harpsichord.

ARABIC1, ARABIC2 Use these tunings when playing Arabic music.

The tuning of each note for the

currently selected scale is shown.

CVP-701 Reference Manual 11

Voices – Playing the Keyboard –

2

3 Change the following settings as necessary.

NOTE

To register the Scale Tune settings to the Registration Memory, be sure to checkmark the SCALE item in the REGISTRATION MEMORY CONTENTS display.

NOTE If a VRM Voice is selected as the RIGHT1 part, the resonance of all VRM Voices is set to the same scale type as that of the RIGHT1 part. If a Voice other

than a VRM Voice is selected as the RIGHT1 part, the resonance of any other VRM Voices is set to “Equal.”

Changing the Part Assignment of the TRANSPOSE Buttons

You can determine to which part (keyboard, Song or both) the TRANSPOSE [-]/[+] buttons are applied. This

lets you transpose the pitch of the keyboard but not that of the Song (or vice versa) — allowing you to play

along with a Song in a more comfortable key, for example.

1 Call up the operation display.

[FUNCTION] → TA B [ ][ ] MENU1 → [D] CONTROLLER → TA B [ ][ ] KEYBOARD/PANEL

2 Use the [A]/[B] buttons to select “2. TRANSPOSE ASSIGN.”

3 Press the [4]/[5] buttons to select the desired transpose type.

You can confirm the setting here by viewing the pop-up window called up via the TRANSPOSE [-]/[+] buttons.

[2] BASE NOTE Determines the base note for each scale. When the base note is changed,

the pitch of the keyboard is transposed, yet maintains the original pitch

relationship between the notes.

[3] –

[5]

TUNE Select the desired note to be tuned by using the [3] buttons and tune

it in cents by using the [4]/[5] buttons.

NOTE In musical terms a “cent” is 1/100th of a semitone. (100 cents equal one semitone.)

[6]/

[7]

PART SELECT Select the part to which the Scale Tune setting is applied by using the

[6]/[7] buttons. Then press the [8] button to add a check-

mark or press the [8] button to remove the checkmark.

[8] MARK ON/OFF

KEYBOARD When this is selected, the TRANSPOSE [-]/[+] buttons affect the pitch of key-

board played Voices and Style playback (controlled by the performance in the

chord section of the keyboard) — but they do not affect Song playback.

SONG When this is selected, the TRANSPOSE [-]/[+] buttons affect only the pitch of

Song playback.

MASTER When this is selected, the TRANSPOSE [-]/[+] buttons affect the overall pitch

of the instrument, except audio playback.

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Voices – Playing the Keyboard –

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The instrument has a Voice Set feature that allows you to create your own Voices by editing some parameters

of the existing Voices. Once you’ve created a Voice, you can save it as a User Voice to the USER drive or

external devices for future recall.

1 Select the desired Voice (other than an Organ Flutes Voice).

Organ Flutes Voices have a different editing method than described here. For instructions on editing the

Organ Flutes Voices, see page 17.

2 Call up MENU1 at the right bottom of the display by pressing the [8] button as

necessary.

3 Press the [5] (VOICE SET) button to call up the VOICE SET display.

4 Use the TAB [ ][ ] buttons to call up the relevant setting display.

For information on the available parameters in each display, see the “Editable Parameters in the VOICE

SET Displays” on page 13.

5 As necessary, use the [A]/[B] buttons to select the item (parameter) to be edited and

edit the Voice by using the [1] – [8] buttons.

By pressing the [D] (COMPARE) button, you can compare the sound of the edited Voice with the original

(unedited) Voice.

6 Press the [I] (SAVE) button, then follow the Save operation steps.

For details, refer to “Saving Files” in the Owner’s Manual.

NOTICE

The settings will be lost if you select another Voice or turn the power to the instrument off without executing the Save operation.

Editing Voices (Voice Set)

4

6

5

CVP-701 Reference Manual 13

Voices – Playing the Keyboard –

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Editable Parameters in the VOICE SET Displays

The Voice Set parameters are organized into several different displays. The parameters in each display are

described separately, below.

NOTE The available parameters differ depending on the Voice.

 COMMON Page

[1] VOLUME Adjusts the volume of the current edited Voice.

[2]/

[3]

TOUCH SENSE Adjusts the touch sensitivity (velocity sensitivity), or how greatly the

volume responds to your playing strength.

DEPTH

Determines the velocity sensitivity, or how much the level of the Voice

changes in response to your playing strength (velocity).

OFFSET

Determines the amount by which received velocities are adjusted for the

actual velocity effect.

[4]/

[5]

PART OCTAVE Shifts the octave range of the edited Voice up or down in octaves. When

the edited Voice is used as any of the RIGHT 1–2 parts, the R1/R2

parameter is available; when the edited Voice is used as the LEFT part,

the LEFT parameter is available.

[6] MONO/POLY Determines whether the edited Voice is played monophonically or poly-

phonically.

[7] PORTAMENTO

TIME

Sets the portamento time (pitch transition time) when the edited Voice is

set to “MONO” above.

NOTE The Portamento Time determines the pitch transition time. Portamento is a function that creates a

smooth transition in pitch from the first note played on the keyboard to the next.

0

64 127

64

127

0

64 127

64

127

Actual Velocity for

tone generator

Depth = 127 (twice)

Depth = 64 (normal)

Depth = 32 (half)

Depth = 0

TOUCH SENSE DEPTH

Changes to velocity curve according to

VelDepth (with Offset set to 64)

Received Velocity

(Actual KeyOn speed)

TOUCH SENSE OFFSET

Changes to velocity curve according to

VelOffset (with Depth set to 64)

Actual Velocity for

tone generator

Received Velocity

(Actual KeyOn speed)

Offset = 96 (+64)

Offset = 127 (+127)

Offset = 64 (normal)

Offset = 32 (-64)

Offset = 0 (-127)

Depends

on offset

Depends

on offset

14 CVP-701 Reference Manual

Voices – Playing the Keyboard –

2

 CONTROLLER Page

1 CENTER PEDAL

2 LEFT PEDAL

These allow you to select the function to be assigned to the center or left pedal.

3 MODULATION

When a pedal function is assigned to MODULATION, the pedal can be used to modulate the parameters

below as well as the pitch (vibrato). Here, you can set the degree to which the pedal modulates each of the

following parameters.

 SOUND Page

FILTER

Filter is a processor that changes the timbre or tone of a sound by either blocking or passing a specific

frequency range. The parameters below determine the overall timbre of the sound by boosting or cutting a

certain frequency range. In addition to making the sound either brighter or mellower, Filter can be used to

produce electronic, synthesizer-like effects.

[1] FUNCTION Selects the function to be assigned to the center or left pedal. For details

on the pedal functions, see page 88.

[2] –

[8]

RIGHT 1,

RIGHT 2, LEFT,

etc.

Determines whether the assigned function is effective or not for the

respective keyboard part. This also determines the depth for the

function. For details, see page 88.

[2] FILTER Determines the degree to which the pedal modulates the Filter cutoff

frequency. For details about the filter, see page 14.

[3] AMPLITUDE Determines the degree to which the pedal modulates the amplitude (vol-

ume).

[5] LFO PMOD Determines the degree to which the pedal modulates the pitch, or the

vibrato effect.

[6] LFO FMOD Determines the degree to which the pedal modulates the Filter modula-

tion, or the wah effect.

[7] LFO AMOD Determines the degree to which the pedal modulates the amplitude, or

the tremolo effect.

[1]BRIGHT

(Brightness)

Determines the cutoff frequency or

effective frequency range of the fil-

ter (see diagram). Higher values

result in a brighter sound.

[2] HARMO.

(Harmonic

content)

Determines the emphasis given to

the cutoff frequency (resonance),

set in BRIGHT. above (see dia-

gram). Higher values result in a

more pronounced effect.

Volume

These frequencies are

“passed” by the filter.

Cutoff

range

Frequency

(pitch)

Cutoff Frequency

Volume

Frequency (pitch)

Resonance

CVP-701 Reference Manual 15

Voices – Playing the Keyboard –

2

EG

The EG (Envelope Generator) settings determine how the level of the

sound changes in time. This lets you reproduce many sound

characteristics of natural acoustic instruments — such as the quick

attack and decay of percussion sounds, or the long release of a

sustained piano tone.

VIBRATO

Vibrato is a quavering, vibrating sound effect that is produced by

regularly modulating the pitch of the Voice.

 EFFECT/EQ Page

1 REVERB DEPTH/CHORUS DEPTH/DSP DEPTH/VIB ROTOR

[3] ATTACK Determines how quickly the sound reaches its maximum level after the

key is played. The lower the value, the quicker the attack.

[4] DECAY Determines how quickly the sound reaches its sustain level (a slightly

lower level than maximum). The lower the value, the quicker the decay.

[5] RELES.

(Release)

Determines how quickly the sound decays to silence after the key is

released. The lower the value, the quicker the decay.

[6] DEPTH Determines the intensity of the Vibrato effect. Higher settings result in a

more pronounced Vibrato.

[7] SPEED Determines the speed of the Vibrato effect.

[8] DELAY Determines the amount of time that elapses between the playing of a key

and the start of the Vibrato effect. Higher settings increase the delay of

the Vibrato onset.

[1]/

[2]

REVERB

DEPTH

Adjusts the reverb depth. The setting cannot be changed when a

VRM Voice is selected.

[3]/

[4]

CHORUS

DEPTH

Adjusts the chorus depth. The setting cannot be changed when a

VRM Voice is selected.

[5] DSP ON/OFF Determines whether the DSP is on or off.

[6] DSP DEPTH Adjusts the DSP depth.

If you want to re-select the DSP type, you can do so in the “2 DSP”

menu explained on page 16.

[7] VIBE ROTOR This will be displayed only if VibeRotor is selected for the DSP Type

parameter explained on page 16. Determines whether VibeRotor

should be set to on or off when selecting the Voice.

Time

Level

Key on Key off

Sustain

Level

ATTACK DECAY RELEASE

Pitch

DELAY

SPEED

DEPTH

Time

16 CVP-701 Reference Manual

Voices – Playing the Keyboard –

2

2 DSP

3 EQ

Determines the Frequency and Gain of the Low and High EQ bands. For information about EQ, refer to

page 84.

 HARMONY Page

Harmony sets the Right 1 and 2 parts together. Before you set these parameters, make sure the Right 1 part

is selected in the Main display. This has the same settings as the display of “Selecting the Harmony/Echo

type” page 8 in step 3.

Disabling Automatic Selection of Voice Sets (Effects, etc.)

Each Voice is linked to its default VOICE SET parameter settings. Usually these settings are automatically

called up when a Voice is selected. However, you can also disable this feature by the operation in the relevant

display as explained below.

For example, if you want to change the Voice yet keep the same Harmony effect, set the KEYBOARD

HARMONY parameter to OFF (in the display explained below).

1 Call up the operation display.

[FUNCTION] → TAB [ ][ ] MENU1 → [F] VOICE SETTING → TAB [ ][ ] VOICE SET FILTER

2 Use the [A]/[B] buttons to select a keyboard part.

3 Use the [4] – [8] buttons to enable/disable automatic calling up of the settings

(ON or OFF) independently for each parameter group.

[1] –

[4]

DSP TYPE Selects the DSP effect category and type. Select the desired category

first, then a type.

[6] VARI. A Variation parameter is provided for each DSP type. By turning this

on or off, you can instantly and significantly change the sound of the

DSP effect. Here, you can edit the VARI. (Variation) on/off status and

the parameter value for each status (in DETAIL below).

[5]/

[7]

DETAIL Calls up the detailed setting display. Press the [5] button for edit-

ing the standard parameter value, and the [7] button for editing

the Variation parameter value.

In the detailed setting display, select the desired parameter by using

the [2] – [4] buttons then adjust the value by using the

[5] – [6] buttons. This differs depending on the effect type

and cannot be changed. Press the [EXIT] button to close the setting

display.

2

3

CVP-701 Reference Manual 17

Voices – Playing the Keyboard –

2

The Organ Flute Voices selected from the [ORGAN FLUTES] button can be edited by adjusting the footage

levers, adding the attack sound, applying effects and equalizer, etc.

NOTICE

After editing, go to the Voice Selection display by pressing the [I] (PRESETS) button and save the setting. The settings will be lost if you

select another Voice or turn the power to the instrument off without executing the Save operation.

 FOOTAGE Page

Refer to the Owner’s Manual, chapter 2.

 VOLUME/ATTACK Page

 EFFECT/EQ Page

Same parameters as in the VOICE SET “EFFECT/EQ” Page explained on page 15.

Editing Organ Flutes Parameters

[1] VOL (Volume) Adjusts the overall volume of the Organ Flutes. The longer the graphic

bar, the greater the volume.

[2]RESP

(Response)

Affects both the attack and release (page 15) portion of the sound,

increasing or decreasing the response time of the initial swell and

release, based on the FOOTAGE controls. The higher the value, the

slower the swell and release.

[3] VIB. SPEED Determines the speed of the vibrato effect controlled by the VIBRATO

ON/OFF ([F]/[G] buttons) and VIBRATO DEPTH ([H] button).

[4] MODE The MODE control selects one of two modes: FIRST and EACH. In the

FIRST mode, attack (percussive sound) is applied only to the first notes

played and held simultaneously; while the first notes are held, any sub-

sequently played notes have no attack applied. In the EACH mode,

attack is applied equally to all notes.

[5] –

[7]

4', 2 2/3', 2' These determine the attack sound volume of the ORGAN FLUTE

Voice. The 4', 2-2/3' and 2' controls increase or reduce the volume of

attack sound at the corresponding footages. The longer the graphic bar,

the greater the attack sound volume.

[8] LENG (Length) Affects the attack portion of the sound producing a longer or shorter

decay immediately after the initial attack. The longer the graphic bar,

the longer the decay.

Same as the FOOTAGE

Page.

3

18 CVP-701 Reference Manual

Styles – Playing Rhythm and Accompaniment –

Styles

– Playing Rhythm and Accompaniment –

Contents

Style Playback Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Specifying Chords with Your Right Hand while Playing Bass with Your Left Hand. . . . . . . . . .21

Searching for Suitable Songs for the Current Style (Repertoire) . . . . . . . . . . . . . . . . . . . . . . . .22

Memorizing an Original One Touch Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Confirming the One Touch Setting Contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Creating/Editing Styles (Style Creator) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

• Realtime Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

• Step Recording (Inputting events one by one). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

• Style Assembly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

• Editing the Rhythmic Feel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

• Editing Data for Each Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

• Making Style File Format Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

The instrument has a variety of Style playback functions which can be accessed in the display below.

1 Call up the operation display.

[FUNCTION] → TAB [ ][ ] MENU1 → [G] STYLE SETTING

2 Use the [1] – [8] and [B]/[C]/[F] buttons for each setting.

Style Playback Settings

CVP-701 Reference Manual 19

Styles – Playing Rhythm and Accompaniment –

3

[B] OTS LINK

TIMING

This applies to the OTS Link function. This parameter determines the

timing in which the One Touch Settings change with the MAIN VARIA-

TION [A] – [D] change. (The [OTS LINK] button must be on.)

REAL TIME

One Touch Setting is immediately called up when you press a MAIN

VA R I AT I O N b u t t o n .

NEXT BAR

One Touch Setting is called up at the next measure, after you press a

MAIN VARIATION button.

[C] STOP ACMP When the [ACMP ON/OFF] button is on, [SYNC START] is off, and this

parameter is set to the value other than “DISABLED,” you can play

chords in the chord section of the keyboard with the Style stopped, and

still hear the accompaniment chord. In this condition — called “Stop

Accompaniment” — any valid chord fingerings are recognized and the

chord root/type are shown in the display. Here, you can determine

whether the chord played in the chord section will sound or not in the

Stop Accompaniment status.

DISABLED

Disables the Stop Accompaniment feature. When Style playback is

stopped, any pressed notes in the chord section of the keyboard will not

be recognized as chords.

OFF

The chord played in the chord section will not sound.

STYLE

The chord played in the chord section will sound via the Voices for the

Pad part and the Bass channel of the selected Style.

FIXED

The chord played in the chord section will sound via the specified Voice,

regardless of the selected Style.

NOTE When the selected Style contains MegaVoices, unexpected sounds may result when this is set to

“STYLE.”

NOTE When you record a song, the chord detected by playing the Stop Accompaniment can be recorded

regardless of the setting here. Please note that both the Voice that is sounded and the chord data

will be recorded when set to “STYLE,” and only the chord data will be recorded when set to “OFF”

or “FIXED.”

NOTE When this is set to “DISABLED,” chords are not recognized while the Style is stopped. This is why

Keyboard Harmony (page 8) is not applied even if you play a chord in the chord section of the key-

board while the Style is stopped.

[F] ACMP ON/OFF

DEFAULT

Determines whether the [ACMP ON/OFF] button is on or off when the

power is turned on.

[1]/

[2]

DYNAMICS

CONTROL

This determines how the Style playback volume changes depending on

the playing strength.

•WIDE........... The volume changes over a wide range.

•MEDIUM..... The volume changes over a medium range.

• NARROW .... The volume changes over a narrow range.

•OFF.............. The volume is kept the same regardless of playing

strength.

20 CVP-701 Reference Manual

Styles – Playing Rhythm and Accompaniment –

3

[3]/

[4]

SYNCHRO

STOP

WINDOW

This determines how long you can hold a chord before the Synchro Stop

function is automatically cancelled. When the [SYNC STOP] button is

turned on and this is set to a value other than “OFF,” the Synchro Stop

function is automatically cancelled if you hold a chord for longer than the

time set here. This conveniently resets Style playback control to normal,

letting you release the keys and still have the Style play. In other words, if

you release the keys sooner than the time set here, the Synchro Stop func-

tion works.

[5]/

[6]

SECTION SET Determines the default section that is automatically called up when

selecting different Styles (when Style playback is stopped). When set to

“OFF” and Style playback is stopped, the active section is maintained

even if the different Style is selected. When any of the MAIN A – D sec-

tions is not included in the Style data, the nearest section is automatically

selected. For example, when MAIN D is not contained in the selected

Style, MAIN C will be called up.

[7] TEMPO This determines whether the tempo changes or not when you change

Styles. If you want to avoid changing the tempo when selecting another

Style, select LOCK or HOLD.

LOCK

The tempo setting of the previous Style is maintained.

HOLD

The tempo setting of the previous Style is maintained while Style is

played back and another Style is selected. While Style playback is

stopped and another Style is selected, the tempo changes to that of the ini-

tial default tempo for the selected Style.

RESET

The tempo changes to that of the initial default tempo for the selected

Style.

[8] PART ON/OFF This determines whether the on/off status of the Style Channels (Parts)

changes or not when you change Styles. If you want to avoid changing

the Style Channel On/Off status when selecting another Style, select

LOCK or HOLD.

LOCK

The Style Channel On/Off status of the previous Style is maintained.

HOLD

The Style Channel On/Off status of the previous Style is maintained

while Style is played back and another Style is selected. While Style

playback is stopped and another Style is selected, all Style Channels are

set to On.

RESET

All Style Channels are set to On.

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