Yamaha MDR-4 Omistajan opas

1

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authori-

zation to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential

environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and,

if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of

other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this

product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate

the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in

to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

2

• Do not open the instrument or at-

tempt to disassemble the internal

parts or modify them in any way.

The instrument contains no user-

serviceable parts. If it should appear

to be malfunctioning, discontinue

use immediately and have it in-

spected by qualified Yamaha ser-

vice personnel.

• Do not expose the instrument to

rain, use it near water or in damp or

wet conditions, or place containers

on it containing liquids which might

spill into any openings.

• If the AC adaptor cord or plug be-

comes frayed or damaged, or if

there is a sudden loss of sound dur-

ing use of the instrument, or if any

unusual smells or smoke should

appear to be caused by it, immedi-

ately turn off the power switch, dis-

connect the adaptor plug from the

outlet, and have the instrument in-

spected by qualified Yamaha ser-

vice personnel.

• Use the specified adaptor (PA-3B or

an equivalent recommended by

Yamaha) only. Using the wrong

adaptor can result in damage to the

instrument or overheating.

• Before cleaning the instrument, al-

ways remove the electric plug from

the outlet. Never insert or remove

an electric plug with wet hands.

• Check the electric plug periodically

and remove any dirt or dust which

may have accumulated on it.

WARNING

Always follow the basic precautions listed below to avoid the

possibility of serious injury or even death from electrical shock,

short-circuiting, damages, fire or other hazards. These precau-

tions include, but are not limited to, the following:

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

CAUTION

Always follow the basic precautions listed below to avoid the

possibility of physical injury to you or others, or damage to the

instrument or other property. These precautions include, but are

not limited to, the following:

• Do not place the AC adaptor cord

near heat sources such as heaters

or radiators, and do not excessively

bend or otherwise damage the cord,

place heavy objects on it, or place it

in a position where anyone could

walk on, trip over, or roll anything

over it.

• When removing the electric plug

from the instrument or an outlet, al-

ways hold the plug itself and not the

cord.

• Do not connect the instrument to an

electrical outlet using a multiple-

connector. Doing so can result in

lower sound quality, or possibly

cause overheating in the outlet.

• Unplug the AC power adaptor when

not using the instrument, or during

electrical storms.

(4)

• Always make sure all batteries are

inserted in conformity with the +/–

polarity markings. Failure to do so

might result in overheating, fire, or

battery fluid leakage.

• Always replace all batteries at the

same time. Do not use new batter-

ies together with old ones. Also, do

not mix battery types, such as al-

kaline batteries with manganese

batteries, or batteries from different

makers, or different types of batter-

ies from the same maker, since this

can cause overheating, fire, or bat-

tery fluid leakage.

• Do not dispose of batteries in fire.

• Do not attempt to recharge batter-

ies that are not intended to be

charged.

3

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instru-

ment or other property. These precautions include, but are not limited to, the following:

• If the instrument is not to be in use

for a long time, remove the batter-

ies from it, in order to prevent pos-

sible fluid leakage from the battery.

• Keep batteries away from children.

• Before connecting the instrument to

other electronic components, turn off

the power for all components. Be-

fore turning the power on or off for

all components, set all volume lev-

els to minimum.

• Do not expose the instrument to

excessive dust or vibrations, or ex-

treme cold or heat (such as in direct

sunlight, near a heater, or in a car

during the day) to prevent the pos-

sibility of panel disfiguration or dam-

age to the internal components.

• Do not use the instrument near

other electrical products such as

televisions, radios, or speakers,

since this might cause interference

which can affect proper operation of

the other products.

• Do not place the instrument in an

unstable position where it might ac-

cidentally fall over.

• Before moving the instrument, re-

move all connected adaptor and

other cables.

• When cleaning the instrument, use

a soft, dry cloth. Do not use paint

thinners, solvents, cleaning fluids, or

chemical-impregnated wiping

cloths. Also, do not place vinyl or

plastic objects on the instrument,

since this might discolor the panel

or keyboard.

(4)

• Do not rest your weight on, or place

heavy objects on the instrument,

and do not use excessive force on

the buttons, switches or connectors.

• Do not operate the instrument for a

long period of time at a high or un-

comfortable volume level, since this

can cause permanent hearing loss.

If you experience any hearing loss

or ringing in the ears, consult a phy-

sician.

Yamaha cannot be held responsible for

damage caused by improper use or

modifications to the instrument, or

data that is lost or destroyed.

Always turn the power off when the in-

strument is not in use.

Make sure to discard used batteries

according to local regulations.

4

• Never attempt to remove the disk or turn the power off during recording,

reading and playing back. Doing so can damage the disk and possibly the

disk drive.

• If the eject button is pressed too quickly, or if it is not pressed in as far as it

will go, the disk may not eject properly. The eject button may become

stuck in a half-pressed position with the disk extending from the drive slot

by only a few millimeters. If this happens, do not attempt to pull out the

partially ejected disk, since using force in this situation can damage the

disk drive mechanism or the floppy disk. To remove a partially ejected

disk, try pressing the eject button once again, or push the disk back into

the slot and then repeat the eject procedure.

• Be sure to remove the floppy disk from the disk drive before turning off the

power. A floppy disk left in the drive for extended periods can easily pick up

dust and dirt that can cause data read and write errors.

Cleaning the Disk Drive Read/Write Head

• Clean the read/write head regularly. This instrument employs a precision

magnetic read/write head which, after an extended period of use, will pick

up a layer of magnetic particles from the disks used that will eventually

cause read and write errors.

• To maintain the disk drive in optimum working order Yamaha recommends

that you use a commercially-available dry-type head cleaning disk to clean

the head about once a month. Ask your Yamaha dealer about the avail-

ability of proper head-cleaning disks.

Never insert anything but floppy disks into the disk drive. Other

objects may cause damage to the disk drive or floppy disks.

Precautions

• Be sure to handle floppy disks and treat the disk drive with care. Follow

the important precautions below.

Compatible Disk Type

• 3.5” 2DD and 2HD type floppy disks can be used. A blank 2HD floppy disk

has been included with your instrument for you to record your performances.

■ Inserting/Ejecting Floppy Disks

To insert a floppy disk into the disk drive:

• Hold the disk so that the label of the disk

is facing upward and the sliding shutter

is facing forward, towards the disk slot.

Carefully insert the disk into the slot,

slowly pushing it all the way in until it

clicks into place and the eject button

pops out.

To eject a floppy disk:

• Before ejecting a floppy disk make sure

that the floppy disk drive is not in opera-

tion (the DISK IN USE indicator should

be off.)

• Press the eject button slowly as far as it

will go; the disk will automatically pop

out. When the disk is fully ejected, care-

fully remove it by hand.

Handling the Floppy Disk Drive(FDD) and Floppy Disk

5

Handling the Floppy Disk Drive(FDD) and Floppy Disk

Write protected Write enabled

YAMAHA is not responsible for damage caused by improper handling or operation.

YAMAHA provides no guarantee against disk damage.

■ About the Floppy Disks

To handle floppy disks with care:

• Do not place heavy objects on a disk or bend or apply pressure to the disk

in any way. Always keep floppy disks in their protective cases when they

are not in use.

• Do not expose the disk to direct sunlight, extremely high or low tempera-

tures, or excessive humidity, dust or liquids.

• Do not open the sliding shutter and touch the exposed surface of the floppy

disk inside.

• Do not expose the disk to magnetic fields, such as those produced by

televisions, speakers, motors, etc., since magnetic fields can partially or

completely erase data on the disk, rendering it unreadable.

• Never use a floppy disk with a deformed shutter or housing.

• Do not attach anything other than the provided labels to a floppy disk.

Also make sure that labels are attached in the proper location.

To protect your data (Write-protect Tab):

• To prevent accidental erasure of important data, slide the disk’s write-

protect tab to the “protect” position (tab open).

Data backup

• For maximum data security Yamaha recommends that you keep two cop-

ies of important data on separate floppy disks. This gives you a backup if

one disk is lost or damaged. To make a backup disk use the Backup func-

tion on page 54.

6

* Apple and Macintosh are the registered trademarks of Apple Computer, Incorporated.

* Atari is the registered trademark of Atari Corporation.

* IBM PC/AT is the registered trademark of International Business Machines Corporation.

* MS-DOS is the registered trademark of Microsoft Corporation.

* The company names and product names in this owner’s manual are the trademarks or

registered trademarks of their respective companies.

7

• MIDI data recorder capability

The MDF3 is able to receive, store, and re-transmit MIDI

System Exclusive data from nearly any MIDI instrument with

bulk data transmission capability, including devices made

by manufacturers other than Yamaha. The MDF3 can also

read and transmit bulk data files created by the Yamaha

MDF2 Data Filer and the QX3 sequencer in that device’s

MDR mode.

• Sequencer capability

The MDF3 is capable of recording sequence data to disk,

and playing back this data in realtime. It can also play back

data files written by other MIDI devices using Standard MIDI

File format 0/1, as well as ESEQ sequence files created by

the Yamaha QX3, etc. (You can also play back the MDF2’s

SEQ data). Other convenient playback functions allow you

to play a program of up to 99 sequence data files in a speci-

fied order, and to play back files repeatedly in an endless

loop.

• Ample data storage capacity

The MDF3 can store as many as 99 bulk or sequence files

— on each 2HD/2DD floppy disk. If necessary, a single

bulk or sequence data file can occupy the disk’s total ca-

pacity of roughly 1,200/600 kilobytes of data. In sequencer

mode, this corresponds to approximately 150,000/75,000

notes’ worth of sequence data.

C

ONGRATULATIONS

!

You are now the proud owner of a Yamaha MDF3 MIDI Data Filer. This compact data storage unit is capable of storing bulk data

from nearly any MIDI-equipped synthesizer, tone generator, or sequencer on convenient 3.5" 2HD/2DD floppy disks. The MDF3 is

also able to record and play back sequencer data in realtime, a feature which makes it handy for use as a portable sequencer.

To put the MDF3 to work, you will need to connect it to at least one other MIDI device. If you own the Yamaha QX3 or a MIDI-

equipped personal computer with a 3.5" disk drive, the MDF3 will also be able to read the data from disks you create with these

devices, for maximum flexibility and convenience in data management.

This Owner’s Manual has been written for easy reference, and includes helpful advice for a wide range of applications. In order

to take full advantage of the many capabilities of your MDF3, we urge you to read through the manual carefully first, then keep

it on hand for future reference.

F

EATURES

8

A

BOUT

T

HIS

M

ANUAL

This Owner’s Manual introduces the MDF3’s functions in an order close to that in

which you are most likely to be using them. As you read through the manual, you

will soon learn how the MDF3 works; and you will find, in addition, a number of

hints on how you can put its features to use.

Nearly every operation in this manual is described as a series of simple steps, often

including diagrams that make the procedure easy to follow. Supplementary infor-

mation about the operation will be preceded by the words ”Note”, “Hint”, or ”Cau-

tion”. Hints and notes serve as clues to details about the operation that you will not

want to overlook.

This manual is accompanied by the following supplementary

documentation:

■

MIDI Implementation Chart

This chart summarizes the MDF3’s MIDI capabilities, and

helps you to determine whether the MDF3 is compatible

with the other equipment you are using.

■

MIDI Data Format

Advanced MIDI users who do their own programming will

want to refer to this document for a detailed description of

the MIDI Data Formats used by the MDF3.

For further information regarding the operation of the MDF3,

you can refer to the following sections:

■

MDF3 Mode Overview (page 20)

This map summarizes the MDF3’s major functions, and

serves as a convenient guide to common operations.

■

What Error Messages Tell You (page 63)

If an error message appears in the LCD while you are using

the MDF3, refer to this appendix for an explanation of the

problem and advice on how to solve it.

9

JOBSEQMDR UTIL

T

ABLE OF

C

ONTENTS

ABOUT THIS MANUAL ................................................ 8

BASIC TERMS AND KEYWORDS ............................... 10

INTRODUCING THE MDF3....................................... 12

PREPARING TO USE THE MDF3................................ 14

Supplying Power ...................................................... 14

Connecting a MIDI Device ...................................... 15

Turning the Power On .............................................. 15

Formatting a Floppy Disk ......................................... 16

Handling Floppy Disks ............................................. 18

Protecting the data on a disk .................................... 19

MDF3 MODE OVERVIEW .......................................... 20

MDR MODE ................................................................ 23

Receiving Bulk Data ................................................ 24

Transmitting Bulk Data ............................................. 27

Notes on MDR Data Reception and Transmission .... 29

SEQ MODE .................................................................. 31

Recording Sequence Data ........................................ 32

Playing Back Sequence Data .................................... 35

Notes on SEQ Data Recording and Playback ........... 38

JOB MODE .................................................................. 39

Repeating Playback .................................................. 40

Creating a Playback Program ................................... 41

Changing the Record Tempo .................................... 43

Selecting a MIDI Sync Mode .................................... 44

Enabling MIDI Control Messages ............................. 45

Notes on MIDI Synchronization ............................... 46

UTILITY MODE ........................................................... 47

File Names in UTILITY Mode ................................... 48

Renaming Files ........................................................ 49

Deleting Files ........................................................... 51

Copying or Appending Files ..................................... 52

Copying Disks .......................................................... 54

Formatting Disks ...................................................... 56

Displaying Disk Information .................................... 57

THE STANDARD MIDI FILE AND ESEQ FORMATS .... 58

ADVANCED FILE MANAGEMENT TECHNIQUES..... 59

Reading MDF3 Disks with a Computer .................... 59

Changing MDF3 File Name Extensions .................... 60

APPLICATIONS ........................................................... 62

A Portable MIDI Playback System ............................ 62

An Extended MIDI System ........................................ 62

WHAT ERROR MESSAGES TELL YOU ....................... 63

ABOUT THE MIDI IMPLEMENTATION CHART ....... 65

SPECIFICATIONS ........................................................ 66

INDEX .......................................................................... 67

10

MIDI-related terminology

Here we define several basic terms used in this manual. These terms are frequently

used in describing the functions of MIDI equipment.

B

ASIC

T

ERMS AND

K

EYWORDS

MIDI An abbreviation for Musical Instrument Digi-

tal Interface, which is the name of an interna-

tional standard providing for the communica-

tion of data between electronic musical instru-

ments. MIDI allows musical instruments such

as synthesizers and drum machines to com-

municate with each other, and to be controlled

by sequencers or computers.

MIDI Any piece of electronic equipment capable of

device receiving or sending data in a manner that com-

plies with the MIDI standard. This term is of-

ten applied to synthesizers, tone generators,

rhythm machines, and sequencers; however,

it also includes a variety of peripheral devices

including signal processors and patch bays, not

to mention MIDI data recorders such as the

MDF3.

MIDI data Data in a format that complies with the MIDI

standard. MIDI data can be divided between

two broad categories : sequence data and bulk

data.

sequence The data used to record and play back music.

data Generally speaking, sequence data consists of

note on and off messages, control change mes-

sages, and program change messages. In spe-

cial cases, however, it may also include cer-

tain types of system exclusive data.

bulk data Data transmitted in units known as blocks, usu-

ally for the purpose of storage or retrieval. Each

MIDI device usually transmits bulk data in a

unique format that distinguishes it from the bulk

data of other devices; thus, it is also known by

the name “system exclusive data”. Bulk data is

usually not directly related to a musical per-

formance; rather, it is used as a means for trans-

ferring large blocks of data, such as voice data,

samples, or system setup data, between two

MIDI devices.

bulk dump A transmission of bulk data from one MIDI

device to another.

11

Keywords for MDF3 operation

The terms defined below are used throughout the manual to describe functions pe-

culiar to the MDF3. The same words are frequently used in describing other MIDI

devices, as well; but keep in mind that in many cases the actual function in question

may differ considerably from that performed by the MDF3.

file A position on a disk where data is stored and

assigned a name. The MDF3 is capable of man-

aging up to 99 files on a single disk. The num-

ber of files that can be created on any given

disk is physically limited by the size of the files

and the disk’s capacity of approximately 1,200

(MF2HD)/600 (MF2DD) kilobytes.

MDR mode The mode of operation in which the MDF3 is

used to receive and transmit MIDI bulk data.

MDR data The contents of the data file that is created

when the MDF3 receives bulk data from an-

other MIDI device.

reception Generally, the receiving by one MIDI device

of MIDI data from another. In this manual, “re-

ception” refers specifically to the MDF3’s re-

ception of bulk data. The MDF3 automatically

writes the bulk data it receives to disk as an

MDR data file.

transmission Generally speaking, the sending of data from

one MIDI device to another. In this manual,

“transmission” means specifically the transmis-

sion of MDR data by the MDF3. When the

MDF3 transmits the contents of an MDR data

file, it simultaneously reads data from the disk

and outputs it via the MIDI OUT jack.

SEQ mode The mode of operation in which the MDF3 is

used to record and play back sequence data.

SEQ data The contents of the file that is created when

the MDF3 records sequence data. Such data is

often referred to as “song data”. Strictly speak-

ing, however, such a file can contain as many

as several songs, or as little as a single phrase.

recording The reception of MIDI sequence data. Record-

ing is different from the reception of bulk data

in that the data is received in realtime. The

MDF3 automatically writes the sequence data

it receives to disk as a SEQ data file.

playback The transmission of sequence data from one

MIDI device to another. Playback differs from

the transmission of bulk data in that the se-

quence data is transmitted in realtime. When

the MDF3 plays back a SEQ data file, it simul-

taneously reads data from the disk and outputs

it via the MIDI OUT jack.

12

I

NTRODUCING THE

MDF3

Front panel

q MIDI LED This LED lights when the MDF3

is receiving MIDI data. Note that

it does not light when data is be-

ing transmitted, however.

w LCD The LCD displays a variety of information to as-

sist you in operating the MDF3.

e Mode keys These keys allow you to switch between the

MDF3’s four operating modes. The MDF3’s

modes — MDR mode, SEQ mode, JOB mode,

and UTILITY mode — are outlined in the MDF3

Mode Overview on page 20.

r CURSOR keys These keys move the cursor in the LCD to the left

or right. They can also be used to fast forward or

rewind a file during playback in SEQ mode.

t FILE DATA These keys are used to select a file ( in the MDR

keys and SEQ modes) or a function (in the JOB and

UTILITY modes). They can also be used to change

the tempo during playback in SEQ mode.

y REC key This key is used in combination with the START/

STOP key to begin the reception/recording of data

in MDR and SEQ modes.

u PAUSE key This key pauses the recording or playback of a

file in progress in SEQ mode .It can also be used

in combination with the REC key to tell the MDF3

to standby for recording in this mode.

i START/STOP This key is used to start and stop reception/

key recording or transmission/playback in MDR and

SEQ modes. It is also used to execute functions

in the JOB and UTILITY modes.

q

e

r t

y u i

w

13

Rear Panel

o MIDI OUT This jack outputs MIDI data.

!0 MIDI IN Received MIDI data is input via this

jack.

!1 FOOT SW This jack enables START/STOP control

by pressing the foot switch (optional

Yamaha FC4, FC5, etc.) if it is con-

nected.

!

22

2 DC IN The DC plug of an optional AC power

adapter (Yamaha PA-3B) can be con-

nected here.

!3 POWER This switch turns the power to the

MDF3 on and off.

!4 Disk Drive This 3.5" disk drive is capable of ac-

cepting both 2HD and 2DD floppy

disks.

!5 Eject button This button ejects the floppy disk from

the disk drive.

!6 Disk Access This LED lights when data is being

LED written to or read from a disk. Never

attempt to remove a disk from the disk

drive while this lamp is lit.

Side Panel

o !0 !1 !2 !3

!4

!6

!5

14

+ – + –

PA-3B

DC IN

P

REPARING TO

U

SE THE

MDF3

Supplying Power

Using an Optional AC adaptor

If you use the MDF3 often, you will probably want to power

it with an AC power adaptor. The MDF3 can be powered by

the Yamaha PA-3B power adaptor, which is available for pur-

chase separately.

Before you connect the adaptor, check to make sure that the

POWER switch on the rear panel is turned off.

Plug the round end of the adaptor cord into the DC IN jack

on the back panel of the MDF3, then plug the adaptor itself

into an AC outlet.

Caution:

Be sure to use a power adaptor that is suited to the voltage

in your locale. Do not use an adaptor other than PA-3B. Any other

AC adaptor using different voltage can damage the MDF3.

Unplug the AC power adaptor when not using the instrument, or

during electrical storms.

Using Batteries

Under normal operating conditions, the MDF3 can be oper-

ated continuously for approximately three hours using a fresh

set of batteries.

Before you begin to insert the batteries, check to make sure

that the POWER switch on the rear panel is turned off. Then,

place six size “AA” alkaline batteries in the battery compart-

ment located on the underside of the unit.

Make sure that the batteries are oriented properly. The cor-

rect orientation is indicated by the markings on the inside of

the compartment.

Caution:

When the batteries run down, replace them with a com-

plete set of six new batteries. NEVER mix old and new batteries.

Do not use different types of batteries (e.g. alkaline and manganese)

at the same time.

Be sure to remove the batteries from the MDF3 when you will not

being using it for an extended period of time. If you leave batteries

in the unit during extended periods of disuse, you run the risk of

damage due to corrosion.

15

!~~~~No~disk~~~~

MIDI OUT

extemal MIDI device

(keyboard, sequencer, etc)

MDF3

MIDI IN

Connecting a MIDI Device

You need only one MIDI cable to connect the MDF3 to an-

other MIDI device.

When you will be using the MDF3 to receive or record data,

plug one end of the cable into the MIDI IN jack on the MDF3

back panel, and the other end into the MIDI OUT jack of the

other device.

To transmit or play back data from the MDF3 , simply reverse

these connections.

If you have two MIDI cables, you can connect the MIDI IN

jack of each device to the MIDI OUT jack of the other. This

convenient arrangement will allow you to avoid the repeated

changing of MIDI cable connections.

Turning the Power On

To turn on the MDF3, simply press the POWER switch on the

rear panel.

The message “YAMAHA MDF3” will appear in the LCD for a

few moments. Then, if there is no disk in the disk drive, this

message will be replaced by the following display:

Insert the 3.5" 2HD/2DD floppy disk that came with your

MDF3 in the disk drive. Be sure to insert the disk with the

label side facing up and the arrow pointing toward the disk

drive.

Push the disk in gently, until you hear it settle into the drive

with a click.

Note:

The MDF3 is capable of using 3.5" 2HD/2DD floppy disks.

Please do not try to use any other type of disk.

MIDI IN

MDF3

MIDI cable

MIDI OUT

MIDI cable

extemal MIDI device

(keyboard, sequencer, etc)

16

~å

05:~~~~~~~Format Format~disk

Formatting a Floppy Disk

Before the MDF3 can create files on a new disk, it must prepare the disk to accept

the data using a procedure known as “formatting”. Follow the steps below to format

the floppy disk that came with your MDF3.

1.

Enter the UTILITY mode.

Press the UTIL key. The LED

above the key will light.

2.

Select ”05: Format”

Press the FILE DATA [+] key

four times. The following

message will appear in the

LCD.

3.

Press the START/STOP

key.

The LED above the key will

flash, and the following mes-

sage will appear in the LCD:

4.

Insert a disk.

If you have not already done

so, insert the 2HD/2DD disk

to be formatted in the disk

drive.

Note:

If you format a disk that

has been used before, any data

it contains will be erased. Make

absolutely sure that a disk does

not contain any important data

before you format it.

17

Formatting~~~93%

5.

Press the START/STOP key.

The LED above the key will light steadily,

and the LCD will display a message tell-

ing you what percentage of the disk has

been formatted.

It should take approximately 70 seconds

to format a single floppy disk. When the

disk has been completely formatted, the

START/STOP LED will begin to flash

again, and the “Format disk” message

will reappear.

6.

Format another disk.

If you wish to format another disk at this

point, eject the disk and insert a new one.

Then press the START/STOP key to be-

gin formatting once more.

7.

Exit the function.

When you’re done formatting disks, press

any mode key (MDR, SEQ, JOB, or UTIL)

to exit the “Format” function.

18

Handling Floppy Disks

The 3.5" 2HD/2DD floppy disk is a reliable and convenient medium for data storage, capable of

holding large amounts of data in a small package. The disk itself is a delicate piece of magnetic

film, which is protected from dust and dirt by a hard plastic cover and a shutter. This design is

capable of preserving your data against most contingencies. However, for the greatest reliability,

you should observe a few basic cautions when handling your disks.

• Use 2HD/2DD disks. The MDF3 is not designed to handle disks meeting other specifications.

• Never remove a disk from the disk drive while the disk access LED is lit. Doing so can damage

the floppy disk or the disk drive.

• Avoid touching the shutter of a disk. Never open the shutter and touch the actual disk surface.

• Avoid placing disks close to speakers, televisions, magnets, or other objects with magnetic

fields. Even weak magnetic fields can damage or erase the data on a disk.

• Do not leave your disks in cars or other locations where they may be exposed to extreme heat

or cold.

• Do not leave your disks in places where they may be exposed to condensation or extremely

high humidity.

• Avoid using or storing disks in places where they may be exposed to large amounts of dust or

dirt.

Follow these cautions scrupulously. Improper handling can render a disk useless, and may cause

damage to the MDF3’s disk drive as well.

19

!~~Disk~protect

Protecting the data on a disk

If you turn a disk face down, you will find a small plastic tab in the lower right corner. This tab is

a write-protect switch that you can use to prevent the accidental loss of valuable data. When this

tab is in the up position (so the window is closed), the MDF3 will be able to read and write data

to the disk normally.

To protect the data on a disk, push the tab down so that the window is open. The MDF3 will be

able to read the data on the disk as usual. However, if you try to receive or record data using the

disk, the MDF3 will display an error message telling you that the disk is write-protected.

You will see the same message if you try to format a write-protected disk or change the data it

contains using one of the UTILITY mode functions.

Note:

To protect disks against accidental erasure, it is a good idea to set the protect tab down and keep the

disk in a safe place. You also might consider making a backup copy of the disk using the UTILITY mode

”Backup” function. Finally, clear labeling of disk contents is a simple but effective way to prevent the acci-

dental loss of valuable data.

20

MDF3 M

ODE

O

VERVIEW

Now that you’ve formatted a floppy disk, you’re ready to start using the

MDF3. The overview below summarizes the use of each of the MDF3’s four

modes, and shows you how to access the JOB and UTILITY mode functions.

MDR mode (page 23)

This mode lets you receive bulk data from a MIDI device and

save it to disk as an MDR data file. In this mode the MDF3

can also transmit the contents of MDR files it creates, as well

as bulk data files created by the Yamaha MDF2 and the QX3

in MDR mode.

SEQ mode (page 31)

This mode lets you record sequence data as standard MIDI

files. In this mode, the MDF3 can also play back the SEQ data

files it creates (You can also play back the MDF2’s SEQ data

files), as well as Yamaha ESEQ data files and standard MIDI

files created by other devices.

JOB mode (page 39)

This mode lets you play back SEQ data files repeatedly, or in

a programmed order. It also allows you to set the sequence

data playback tempo, and to enable or disable the transmis-

sion and reception of MIDI sync and system control mes-

sages.

UTILITY mode (page 47)

The UTILITY mode lets you rename, delete, copy, and ap-

pend files. It also allows you to format or copy disks, and to

check the amount of space remaining on a disk.

Hint:

In the JOB and UTILITY modes, you can use the FILE DATA

keys to select a function, and the START/STOP key to execute the

function you’ve selected.

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