Yamaha O1v Ohjekirja

Owner’s Manual

Keep This Manual For Future Reference.

EN

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modiﬁcations not

expressly approved by Yamaha may void your authority, granted by

the FCC, to use the product.

2. IMPORTANT:

When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE:

This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reason-

able level of assurance that your use of this product in a residential

environment will not result in harmful interference with other elec-

tronic devices. This equipment generates/uses radio frequencies

and, if not installed and used according to the instructions found in

the users manual, may cause interference harmful to the operation

of other electronic devices. Compliance with FCC regulations does

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

not guarantee that interference will not occur in all installations. If

this product is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker or

fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please con-

tact Yamaha Corporation of America, Electronic Service Division,

6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by

Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING:

THIS APPARATUS MUST BE EARTHED

IMPORTANT. The wires in this mains lead are coloured in accordance

with the following code:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not

correspond with the coloured markings identifying the terminals in

your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be connected

to the terminal in the plug which is marked by the letter E or by the

safety earth symbol or colored GREEN or GREEN-and-YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the termi-

nal which is marked with the letter L or coloured RED.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (3 wires)

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning

må kun ske med batteri af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller

en ekvivalent typ som rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo

ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty

paristo valmistajan ohjeiden mukaisesti.

(lithium caution)

NEDERLAND / THE NETHERLANDS

• Dit apparaat bevat een lithium batterij voor geheugen back-up.

• This apparatus contains a lithium battery for memory back-up.

• Raadpleeg uw leverancier over de verwijdering van de batterij op het

moment dat u het apparaat ann het einde van de levensduur of

gelieve dan contact op te nemen met de vertegenwoordiging van

Yamaha in uw land.

•For the removal of the battery at the moment of the disposal at the

end of life please consult your retailer or Yamaha representative

ofﬁce in your country.

• Gooi de batterij niet weg, maar lever hem in als KCA.

• Do not throw away the battery. Instead, hand it in as small chemical

waste.

(lithium disposal)

This product contains a battery that contains perchlorate material.

Perchlorate Material—special handling may apply,

See www.dtsc.ca.gov/hazardouswaste/perchlorate.

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif.

90620

Telephone : 714-522-9011

Type of Equipment : Digital Mixing Console

Model Name : 01V96

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interfer-

ence that may cause undesired operation.

See user manual instructions if interference to radio reception is sus-

pected.

(FCC DoC)

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

(Perchlorate)

The above warning is located on the rear

of the unit

• Explanation of Graphical Symbols

The lightning ﬂash with arrowhead symbol

within an equilateral triangle is intended to

alert the user to the presence of uninsulated

“dangerous voltage” within the product’s

enclosure that may be of sufﬁcient magnitude

to constitute a risk of electric shock to persons.

The exclamation point within an equilateral

triangle is intended to alert the user to the

presence of important operating and mainte-

nance (servicing) instructions in the literature

accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.

2Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instruc-

tions.

8 Do not install near any heat sources such as

radiators, heat registers, stoves, or other appa-

ratus (including ampliﬁers) that produce heat.

9 Do not defeat the safety purpose of the polar-

ized or grounding-type plug. A polarized plug

has two blades with one wider than the other. A

grounding type plug has two blades and a third

grounding prong. The wide blade or the third

prong are provided for your safety. If the pro-

vided plug does not ﬁt into your outlet, consult

an electrician for replacement of the obsolete

outlet.

10 Protect the power cord from being walked on or

pinched particularly at plugs, convenience

receptacles, and the point where they exit from

the apparatus.

11 Only use attachments/accessories speciﬁed by

the manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table spec-

iﬁed by the manufacturer, or

sold with the apparatus.

When a cart is used, use cau-

tion when moving the cart/

apparatus combination to

avoid injury from tip-over.

13 Unplug this apparatus during lightning storms

or when unused for long periods of time.

14 Refer all servicing to qualiﬁed service person-

nel. Servicing is required when the apparatus

has been damaged in any way, such as power-

supply cord or plug is damaged, liquid has been

spilled or objects have fallen into the apparatus,

the apparatus has been exposed to rain or mois-

ture, does not operate normally, or has been

dropped.

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

(5)-1

1/2

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the device. The required voltage is

printed on the name plate of the device.

• Use only the speciﬁed power code.

• Do not place the power cord near heat sources such as heaters or radiators, and

do not excessively bend or otherwise damage the cord, place heavy objects on

it, or place it in a position where anyone could walk on, trip over, or roll anything

over it.

• Be sure to connect to an appropriate outlet with a protective grounding

connection. Improper grounding can result in electrical shock.

• Do not open the device or attempt to disassemble the internal parts or modify

them in any way. The device contains no user-serviceable parts. If it should

appear to be malfunctioning, discontinue use immediately and have it inspected

by qualiﬁed Yamaha service personnel.

• Do not expose the device to rain, use it near water or in damp or wet conditions,

or place containers on it containing liquids which might spill into any openings.

• Never insert or remove an electric plug with wet hands.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the device, or if any unusual smells or smoke

should appear to be caused by it, immediately turn off the power switch,

disconnect the electric plug from the outlet, and have the device inspected by

qualiﬁed Yamaha service personnel.

• If this device should be dropped or damaged, immediately turn off the power

switch, disconnect the electric plug from the outlet, and have the device

inspected by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the device or other property. These precautions include, but are not limited to, the following:

• Remove the electric plug from the outlet when the device is not to be used for

extended periods of time, or during electrical storms.

• When removing the electric plug from the device or an outlet, always hold the

plug itself and not the cord. Pulling by the cord can damage it.

• Before moving the device, remove all connected cables.

• When setting up the product, make sure that the AC outlet you are using is

easily accessible. If some trouble or malfunction occurs, immediately turn off

the power switch and disconnect the plug from the outlet. Even when the power

switch is turned off, electricity is still ﬂowing to the product at the minimum

level. When you are not using the product for a long time, make sure to unplug

the power cord from the wall AC outlet.

•Avoid setting all equalizer controls and faders to their maximum. Depending on

the condition of the connected devices, doing so may cause feedback and may

damage the speakers.

• Do not expose the device to excessive dust or vibrations, or extreme cold or heat

(such as in direct sunlight, near a heater, or in a car during the day) to prevent

the possibility of panel disﬁguration or damage to the internal components.

• Do not place the device in an unstable position where it might accidentally fall

over.

• Do not block the vents. This device has ventilation holes at the top/front/rear/

sides to prevent the internal temperature from rising too high. In particular, do

not place the device on its side or upside down, or place it in any poorly-

ventilated location, such as a bookcase or closet.

• Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile

phone, or other electric devices. Otherwise, the device, TV, or radio may

generate noise.

• Before connecting the device to other devices, turn off the power for all devices.

Before turning the power on or off for all devices, set all volume levels to

minimum.

• Be sure to connect to a properly grounded power source. A ground screw

terminal is provided on the rear panel for safely grounding the device and

preventing electrical shock.

Power supply/Power cord

Do not open

Water warning

If you notice any abnormality

Power supply/Power cord

Location

Connections

(5)-1

2/2

• Do not insert your ﬁngers or hand in any gaps or openings on the device (vents,

etc.).

•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any

gaps or openings on the device (vents, etc.) If this happens, turn off the power

immediately and unplug the power cord from the AC outlet. Then have the

device inspected by qualiﬁed Yamaha service personnel.

• Do not use headphones for a long period of time at a high or uncomfortable

volume level, since this can cause permanent hearing loss. If you experience

any hearing loss or ringing in the ears, consult a physician.

• Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause

problems with electrical contact or fader motion.

• Do not rest your weight on the device or place heavy objects on it, and avoid use

excessive force on the buttons, switches or connectors.

• This device has a rear-panel slot for installing mini-YGDAI cards. For technical

reasons, certain card combinations are not supported. Before installing any

cards, check the Yamaha web site (see page 6) to see whether your card is

compatible.

Installing cards that are not endorsed by Yamaha may cause electrical shock,

ﬁre, or damage to the unit.

• This device has a built-in backup battery. When you unplug the power cord from

the AC outlet, the internal data is retained. However, if the backup battery fully

discharges, this data will be lost. If the backup battery is running low, when you

turn on the device the display indicates “WARNING Low Battery!.” In this case,

immediately save the data to an external media using MIDI Bulk Dump, then

have qualiﬁed Yamaha service personnel replace the backup battery.

• Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone away from the unit.

• The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise occurs, relocate the affected equipment.

• When you change the wordclock settings on any device in your digital audio system, some devices may output noise, so turn down your power amps beforehand,

otherwise your speakers may be damaged.

XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).

Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return.

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the device, or data that is lost or destroyed.

Always turn the power off when the device is not in use.

The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualiﬁed Yamaha service

personnel about replacing defective components.

* The illustrations and screen displays as shown in this Owner’s Manual are for instructional purposes only, and may be different from the ones on your device.

* The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.

Handling caution Backup battery

6

Yamaha Pro Audio global website

01V96 Version 2—Owner’s Manual

Yamaha Pro Audio global website

http://www.yamahaproaudio.com/

Package Contents

• 01V96 Digital Mixing Console

• CD-ROM

•Power cord

•This manual

•Studio Manager Installation Guide

Optional Extras

• RK1 Rack Mount Kit

• mini YGDAI I/O cards

About this Owner’s Manual

This

Owner’s Manual

explains how to operate the 01V96 Digital Mixing Console.

The Table of Contents can help you to familiarize yourself with the manual’s organization

and to locate tasks and topics. The index can help you locate speciﬁc information.

Before diving in, it’s recommend that you read the “Operating Basics” chapter, starting on

page 27.

Each chapter in this manual discusses a speciﬁc section or function of the 01V96. The Input

and Output Channels are explained in the following chapters: “Input Channels,” “Bus

Outs,” and “Aux Outs.” Where possible, these chapters have been organized in order of sig-

nal ﬂow, from input to output.

Conventions Used in this Manual

The 01V96 features two types of buttons: physical buttons that you can press (e.g., ENTER

and DISPLAY) and buttons that appear on the display pages. References to physical buttons

are enclosed in square brackets, for example, “press the [ENTER] button.”

References to display page buttons are not emphasized, for example, “move the cursor to the

ON button.”

You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right

Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, the pro-

cedures reference only the [DISPLAY] button method.

See “Selecting Display Pages” on page 28 for details on all the ways in which you can select

pages.

New Functions in 01V96 Version 2 7

01V96 Version 2—Owner’s Manual

New Functions in 01V96 Version 2

The following functions have been added to the 01V96 as part of the upgrade of the ﬁrm-

ware from version 1.0 to version 2.0.

Aux Sends

•If an Aux Send is set to pre-fader, you can set the Pre point before or after channel mute.

→ page 114

Monitor

•You can select whether the Input Channel’s Pan setting is used when the Input Channel Solo

signal is set to Pre Fader. → page 132

•Raising the channel faders for soloed Channels from –∞ can unsolo the Channels.

→ page 132

Surround Pan

•The on/off status of the Follow Pan button is reﬂected in the pan and Surround Pan

settings. → page 135

Group/Link

•The Fader Group Master function enables you to control the overall level of the Fader group

channels simultaneously while maintaining the relative level balance of each channel.

→ page 152

•The Mute Group Master function enables you to mute all channels in a Mute group

simultaneously. → page 153

Internal Effects

•You can add optional Add-On Effects to the preset effects. → page 162

Scene Memory

•Any channel or parameter settings in the current scene can be copied and pasted into other

scenes. → page 173

•You can select additional parameters for the Recall Safe function. → page 172

Remote Control

•Cubase SX has been added as a target of the Remote layer. → page 189

•Yamaha’s proprietary Advanced DAW protocol has been added to Nuendo, Cubase SX, and

General DAW. This enables you to control these devices using the 01V96’s SELECTED

CHANNEL section. (Controllable functions vary depending on the DAW software and ver-

sion you are using.)

Other Functions

•You can set the Routing ST Pair Link so that the routing from paired channels to the Stereo

Bus is linked. → page 232

•You can assign the selected channels to a Fader or Mute group using the USER DEFINED

KEYS. → page 247

•You can switch the windows of the included Studio Manager software application using the

USER DEFINED KEYS. → page 247

8

Contents

01V96 Version 2—Owner’s Manual

Contents

1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . . . . . . . 13

Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Installing an Optional Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Display Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

4 Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Wordclock Connections and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Input and Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

5 Tutorial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Initial Track Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Overdubbing to Other Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Mixing Recorded Tracks into Stereo (Mixdown) . . . . . . . . . . . . . . . . . . . . . . . . . 63

6 Analog I/O & Digital I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Analog Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Digital Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Converting Sampling Rates of Signals Received at I/O Card Inputs . . . . . . . . . . 72

Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Setting the Transfer Format for Higher Sampling Rates . . . . . . . . . . . . . . . . . . . . 75

7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

About Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Setting the Input Channels from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Setting the Input Channels from the Control Surface . . . . . . . . . . . . . . . . . . . . . . 90

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

8 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

About Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Bus Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Setting the Stereo Out and Bus Out 1–8 from the Display . . . . . . . . . . . . . . . . . . 99

Setting the Stereo Out and Bus Out 1–8 from the Control Surface . . . . . . . . . . . 104

Pairing Buses or Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Attenuating Output Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Naming the Stereo Out and Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

9 Aux Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Aux Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Setting Aux Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Viewing Aux Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Setting Aux Out 1–8 from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Contents

9

01V96 Version 2—Owner’s Manual

Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Viewing Aux Send Settings for Multiple Channels . . . . . . . . . . . . . . . . . . . . . . . . 117

Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . 120

10 Input & Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Patching Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Insert Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

11 Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Monitor and Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Using the Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Using the Solo Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

12 Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

About Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Setting Up and Selecting Surround Pan Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Surround Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

13 Grouping Channels & Linking Parameters . . . . . . . . . . . . . 149

Grouping & Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Using Fader Groups and Mute Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Using Fader Group Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Using Mute Group Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Linking EQ and Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

14 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

About the Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Using Effects Processors via Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Inserting the Internal Effects into Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

About Add-On Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

15 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

What is Stored in a Scene? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

About Scene Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Storing and Recalling Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172

Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Copying and Pasting a Scene (Global Paste) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

16 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Using Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

17 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

About Remote Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Nuendo/Cubase SX Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Other DAW Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

MIDI Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

Machine Control Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

10

Contents

01V96 Version 2—Owner’s Manual

18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

MIDI & the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Assigning Scenes to Program Changes for Remote Recall . . . . . . . . . . . . . . . . . . 219

Assigning Parameters to Control Changes for Real-time Control . . . . . . . . . . . . 220

Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . 225

Transmitting Parameter Settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . 226

19 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229

Changing the Input and Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . 229

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Creating a Custom Layer by Combining Channels (User Assignable Layer) . . . 233

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237

Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

Initializing the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244

Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253

Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255

User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . 256

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

Effects and tempo synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272

Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Dynamics Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285

Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

Analog Output Specs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

I/O SLOT Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

CONTROL I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306

Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . End of Manual

01V96 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . End of Manual

01V96 Level Diagram . . . . . . . . . . . . . . . . . . . . . . . . . End of Manual

Welcome

11

01V96 Version 2—Owner’s Manual

1

Welcome

1 Welcome

Thank you for choosing the Yamaha 01V96 Digital Mixing Console.

The compact 01V96 Digital Console features 24-bit/96 kHz digital audio processing with-

out compromise, as well as 40-channel simultaneous mixing. The 01V96 covers a broad

range of needs and applications, including multi-track recording, 2-channel mixdown, and

cutting-edge surround sound production. This integrated, comprehensive audio system

features remote control function for DAWs (Digital Audio Workstations) as popularized by

the DM2000 and 02R96 Digital Mixing Consoles.

The 01V96 offers the following features:

■

Hardware Features

• 100-mm motorized faders x 17

•Faders can set levels for Input Channels, Aux send levels, and Bus Outs.

•Four selectable software layers determine the function of channel faders.

• 320 x 240 dot LCD display

•Buttons and controls in the SELECTED CHANNEL section enable direct editing of

channel EQ parameters.

•8 USER-DEFINED KEYS enable you to assign functions to control 01V96 internal

parameters.

•ADAT optical connectors

•Expansion slot for optional digital I/O, AD, and DA cards.

■

Sonic Speciﬁcations

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz through 40 kHz frequency response at 96 kHz sampling rate.

• 106 dB typical dynamic range

• 32-bit internal signal processing (58-bit accumulator)

■

Inputs and Outputs

• 12 mic/line inputs with switchable +48 V phantom power and 4 line inputs

• 12 analog inserts

•Any Bus Outs or Channel Inserts can be routed to four Omni Outs.

•Individual outputs for Stereo Out and Monitor Out

•Analog 2TR In and Out for use with Tape In and Out signals

•An optional card installed in the slot permits a maximum of 16 inputs/outputs.

•Digital 2TR In and Out for consumer-format digital audio signals

•Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz leg-

acy multi-track digital recorders.

•You can cascade two 01V96s while remaining in the digital domain.

•Input patches enable assignment of input signals to desired signal paths.

•Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to

desired output jacks.

12

Chapter 1—Welcome

01V96 Version 2—Owner’s Manual

■

Channel Conﬁguration

• 32 Input Channels and four ST IN channels can be mixed at a time. Group multiple

channels and pair channels for stereo.

•Eight Bus Outs and eight Aux Sends. Bus Outs 1-8 can be routed to Stereo Buses for use

as Group Buses.

•Channel library for storing and recalling the channel settings for each Input Channel

and Output Channel

•Four-band EQ on each channel

•Dynamics processors on all channels (excluding ST IN channels)

•Dynamics processor settings and EQ settings can be stored in libraries and recalled.

■

Effects

•Four high-quality multi-channel effects (Apply effects via Aux Sends or Channel

Inserts)

• Effect library for storing and recalling effect settings.

•Optional Add-On Effects packages for adding effects that utilize a variety of new algo-

rithms.

■ Scene Memory

•Scene memories for storing and recalling mix settings as Scenes

■ Surround Sound

•Supports 3-1, 5.1, and 6.1 channel surround sound production

•Surround channel outputs can be assigned to suit connected devices.

■ Remote Control

•Control and manage your 01V96 from your Mac or PC using bundled Studio Manager

software.

•Remote Layer for remote control of Pro Tools, Nuendo, Cubase SX, and other DAWs

that support the Pro Tools protocol

•Control an external recorder via MMC commands.

■ MIDI

•Equipped with MIDI ports and a USB port for computer connection

•Scene recall and mix parameter changes via MIDI

Control Surface & Rear Panel 13

01V96 Version 2—Owner’s Manual

2

Control Surface & Rear Panel

2 Control Surface & Rear Panel

Control Surface

Note: Screw holes for attaching a cover are located at both sides of the AD input section of the

01V96. (Size M3, horizontal spacing 417 mm, vertical spacing 36 mm.) You may wish to fab-

ricate your own cover and attach it to the front panel to prevent the controls from being oper-

ated inadvertently. Yamaha does not sell such a cover. If you fabricate and attach your own

cover, make sure that the mounting screws do not extend more than 10 mm into the front panel.

Yo u will need to allow approximately 15–20 mm between the top panel and the cover in order

to clear the control knobs and buttons.

SOLO SOLO

ON ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ONON

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

1-16 17-32 MASTER REMOTE

LAYER

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL

ST IN

ENTER

EQUALIZER

HIGH

HIGH-MID

LOW-MID

LOW

Q

FREQUENCY

GAIN

STEREO

SELECTED CHANNEL

PA N

DEC INC

SOLO CLEAR

RECALL

STORE

SCENE MEMORY

PHONES

MONITOR

OUT

MONITOR

2TR IN

CH15

/

16

2TR IN

LEVEL

PHONES

LEVEL

0

10

0

10

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

20dB

-16

-60

GAIN

20dB

-16

-60

GAIN

20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

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-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

PA D

FADER MODE

DISPLAY ACCESS

AUX 1

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

AUX 2 AUX 3 AUX 4

AUX 8AUX 7AUX 6AUX 5

HOME (METER)

DYNAMICS

EQ EFFECT VIEW

PATCH

UTILITYMIDISCENE

DIO/SETUP

/ INSERT/

DELAY

PAN/

ROUTING

PAIR/

GROUP

A

B

A

B

A

B

A

B

A

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A

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16

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14

INSERT I

/

OINSERT I

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OINSERT I

/

OINSERT I

/

OINSERT I

/

OINSERT I

/

OINSERT I

/

OINSERT I

/

OINSERT I

/

OINSERT I

/

OINSERT I

/

OINSERT I

/

O

L

R

IN OUT

2TR

-10dBV (UNBAL)

PHANTOM +48V

CH9-12CH5-8CH1-4

INPUT

(BAL)

INSERT

OUT IN

(UNBAL)

ST IN 1 ST IN 2

USER DEFINED

KEYS

12

34

56

78

55

5

+10

5

1010

10

1515

15

2020

20

303030

30

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40

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50

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20

30

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50

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00

5

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15

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5

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5

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20

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0

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0

123456

7

891011 12

7

891011 12

13 14 15 16

32313029282726252423222120191817

STEREO

13 14 15 16

OVER

0

-3

-6

-9

-12

-15

-18

-24

-30

-36

-48

AD Input Section (p. 14)

SELECTED

CHANNEL

Section (p. 20)

Monitor Out

& Head-

phones Sec-

tion (p. 15)

SOLO Section

(p. 22)

Channel Strip Section (p. 16) STEREO Section (p. 16) USER DEFINED KEYS

Section (p. 21)

Data Entry

Section (p. 22)

LAYER Section

(p. 19)

SCENE MEMORY Section (p. 21)

Display Section

(p. 19)

DISPLAY ACCESS

Section (p. 18)

ST IN Section

(p. 17)

FADER MODE

Section (p. 17)

14 Chapter 2—Control Surface & Rear Panel

01V96 Version 2—Owner’s Manual

AD Input Section

A INPUT connectors A/B

INPUT A connectors are balanced XLR-3-31-type connectors that accept line-level and

microphone signals. Each of the phantom [+48V] switches on the rear panel turns on or off

the +48V phantom power feed to the corresponding input. INPUT B connectors are bal-

anced TRS phone-type connectors that accept line-level and microphone signals. The nom-

inal signal level of both types of connectors ranges from –60 dB to +4 dB. Phantom power

is not supplied to these connectors.

If you connect cables to INPUT A and INPUT B connectors of the same number, only the

signal from INPUT B is effective.

B INPUT connectors 13–16

These balanced TRS phone-type connectors accept line-level signals. The nominal signal

level ranges from –26 dB to +4 dB. INPUT 15 & 16 connectors are available only when the

AD 15/16 button is turned off (page 15).

C INSERT I/O connectors

These unbalanced TRS phone-type connectors are used for channel insert ins and outs. Use

a split cable to insert an external effects processor to AD input channels.

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

CH15

/

16

2TR IN

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

20dB

-16

-60

GAIN

20dB

-16

-60

GAIN

20dB20dB20dB20dB20dB20dB20dB

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

PAD

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

16

1513

121110943215

14

INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O

CH1-4

INPUT

(BAL)

INSERT

OUT IN

(UNBAL)

13 14 15 16

8

1

2

3

4

5

6

7

1/4" TRS phone plug

Ring (cold)

Sleeve (ground)

Tip (hot)

Male XLR plug

1 (ground)

2 (hot)

3 (cold)

1/4" phone plug

Sleeve

(ground)

Tip (send)

Sleeve (ground)

Connect to INSERT jack

Tip (return)

1/4" phone plug

Tip (send)

Ring (return)

Sleeve (ground)

From processor’s output

To processor’s input

Control Surface 15

01V96 Version 2—Owner’s Manual

2

Control Surface & Rear Panel

D PAD switches

These switches turn on or off the 20 dB pad (attenuator) for each AD Input.

E GAIN controls

These controls adjust input sensitivity for each AD Input. Input sensitivity is –16 dB to

–60 dB when the Pad is off, and +4 dB to –40 dB when the Pad is on.

F PEAK indicators

These indicators light up when the input signal level is 3 dB below clipping. Adjust the Pad

switch and GAIN control so that the indicator rarely lights up at signal peak.

G SIGNAL indicators

These indicators light up when the input signal level exceeds –34 dB.

H AD15/16 selector

This button selects AD Input Channel 15 and 16 signals. When the button is turned on

(pushed in), the 2TR IN signals (page 24) are selected. When the button is turned off

(raised), the INPUT 15 and 16 signals are selected.

Monitor Out & Headphones Section

A 2TR IN/OUT connectors

These unbalanced RCA phono connectors input and output line-level signals, and are typ-

ically used to connect a master recorder.

When the AD15/16 selector in the AD Input section (

8) is turned on (pushed in), the sig-

nals input at the 2TR IN connectors are routed to AD Input Channels 15 and 16. When the

Monitor Source selector (

2) is turned on (pushed in), you can monitor the 2TR IN signals

from the MONITOR OUT connectors.

The 2TR OUT signals are always the same as the STEREO OUT signals.

B Monitor Source selector

This button selects the signals output from the MONITOR OUT connectors on the rear

panel. When this button is turned on (pushed in), you can monitor the signals input from

the 2TR IN connectors. When the button is turned off (raised), you can monitor the Stereo

Out signals or soloed channel signals.

C MONITOR LEVEL control

This control adjusts the monitoring level of the signals output from the MONITOR OUT

connectors.

D PHONES LEVEL control

This control sets the level of the PHONES. (See page 131 for more information on moni-

toring through the headphones.)

E PHONES jack

You can connect a set of stereo headphones to this stereo phone jack. The signals output

from the MONITOR OUT connectors are also output from this jack.

PHONES

MONITOR

OUT

MONITOR

2TR IN

LEVEL

PHONES

LEVEL

0

10

0

10

L

R

IN OUT

2TR

-10dBV (UNBAL)

PHANTOM +48V

CH9-12CH5-8

1

2

3

4

5

16 Chapter 2—Control Surface & Rear Panel

01V96 Version 2—Owner’s Manual

Channel Strip Section

A [SEL] buttons

These buttons enable you to select desired channels. The [SEL] button indicator for the cur-

rently-selected channel lights up. The channel selected by each [SEL] button depends on the

layer selected in the LAYER section (see page 19).

These buttons also allow you to create or cancel channel pairs, and add channels to (or

remove them from) Fader, Mute, EQ, and Compressor groups.

B [SOLO] buttons

These buttons solo the selected channels. The [SOLO] button indicator of the cur-

rently-soloed channel lights up.

C [ON] buttons

These buttons turn the selected channels on or off. The [ON] button indicators for On

channels light up.

D Channel faders

Depending on the button selected in the FADER MODE section (see page 17), these faders

adjust the selected channel input levels or the Bus Out or Aux Out levels.

STEREO Section

A [SEL] button

Selects the Stereo Out.

B [ON] button

Tur ns the Stereo Out on or off.

C [STEREO] fader

This 100mm motorized fader adjusts the ﬁnal output level of the Stereo Out.

SOLO

ON

SEL

AUX 1

40

50

60

70

30

5

10

15

20

0

20

30

40

50

15

5

+10

5

10

0

1

17

1

2

3

4

ON

SEL

5

10

15

20

30

40

50

60

70

0

STEREO

1

2

3

Control Surface 17

01V96 Version 2—Owner’s Manual

2

Control Surface & Rear Panel

ST IN Section

A [ST IN] button

This button selects an ST IN channel pair (ST IN Channels 1 & 2 or 3 & 4) which you can

control using the buttons and controls in the ST IN section. The indicators to the right of

the button indicate the available ST IN channels.

B [SEL] buttons

These buttons select the ST IN channel you want to control.

C [SOLO] buttons

These buttons solo the selected ST IN channels.

D [ON] buttons

These buttons turn the ST IN channels on or off.

E Level controls

These controls adjust the ST IN channel levels.

FADER MODE Section

A [AUX 1]–[AUX 8] buttons

These buttons enable you to select the Aux Send you wish to control. Pressing one of these

buttons switches the Fader mode (see page 33), and displays the corresponding Aux page.

(The selected button’s indicator lights up.)

You can now adjust the send level of signals routed from Input Channels to the correspond-

ing Aux buses by using the faders.

B [HOME] button

This button recalls Meter pages that display Input Channel levels or Output Channel (Bus

Out, Aux Out, Stereo Out) levels (see page 34).

SOLO

ON

SOLO

ON

SEL SEL

ST IN

ST IN 1 ST IN 2

1

2

3

4

5

FADER MODE

AUX 1 AUX 2 AUX 3 AUX 4

AUX 8AUX 7AUX 6AUX 5

HOME (METER)

1

2

18 Chapter 2—Control Surface & Rear Panel

01V96 Version 2—Owner’s Manual

DISPLAY ACCESS Section

A [SCENE] button

This button displays a Scene page, enabling you to store and recall Scenes (see page 165).

B [DIO/SETUP] button

This button displays a DIO/Setup page, enabling you to set up the 01V96, including digital

input and output setup and remote control setup (see pgaes 72, 192).

C [MIDI] button

This button displays a MIDI page, enabling you to make MIDI settings (see page 219).

D [UTILITY] button

This button displays a Utility page, enabling you to use the internal oscillators and view

information about installed optional cards.

E [ /INSERT/DELAY] button

This button displays a /INS/DLY page, enabling you to switch the signal phase, set the

signal to be inserted, or set the delay parameters (see pages 79, 127).

F [PAN/ROUTING] button

This button displays a Pan/Route page, enabling you to select a Bus to which the selected

channel signal is routed, adjust the selected channel pan settings, adjust the level of signals

routed from Buses 1–8 to the Stereo Bus, and adjust the stereo or surround pan settings (see

pages 85, 135).

G [PAIR/GROUP] button

This button displays a Pair/Grup page, enabling you to create or cancel channel pairs and

group multiple channel faders or [ON] buttons (see pages 93, 149).

H [PATCH] button

This button displays a Patch page, enabling you to patch input signals and Bus Out signals

to Input channels, or patch signals to the desired output connectors (see page 121).

I [DYNAMICS] button

This button displays a Dynamics page, enabling you to control channel gates and compres-

sors (see page 81).

J [EQ] button

This button displays an EQ page, enabling you to set the equalizer and attenuator of the

selected channel (see page 84).

K [EFFECT] button

This button displays an Effect page, enabling you to edit the internal effects processors and

use optional plug-in cards (see page 161).

L [VIEW] button

This button displays a View page, enabling you to view and set mix parameters for a speciﬁc

channel (see page 87).

DISPLAY ACCESS

DYNAMICS

EQ EFFECT VIEW

PATCH

UTILITYMIDISCENE

DIO/SETUP

/ INSERT/

DELAY

PAN/

ROUTING

PAIR/

GROUP

1 2 3

9

J K L

4

5

6

8

7

UTILITYMIDISCENE

DIO/SETUP

Control Surface 19

01V96 Version 2—Owner’s Manual

2

Control Surface & Rear Panel

LAYER Section

A [1–16]/[17–32] buttons

These buttons select an Input Channel layer as the layer controlled in the Channel Strip sec-

tion. When the [1–16] button is turned on, you can control Channels 1–16. When the

[17–32] button is turned on, you can control Channels 17–32. (See page 31 for more infor-

mation on the Input Channel layers.)

B [MASTER] button

This button selects the Master Layer as the layer controlled in the Channel Strip section. You

can use this layer to control Bus Outs and AUX Sends. (See page 31 for more information

on the Master layer.)

C [REMOTE] button

This button selects the Remote Layer as the layer controlled in the Channel Strip section.

You can use this layer to control external MIDI devices or computer-based DAWs. (See

page 189 for more information on the Remote layer.)

Display Section

A Display

This is a 320 x 240 dot LCD display with a backlight.

B Stereo meters

These 12-segment level meters display the ﬁnal output level of the Stereo Bus.

C Contrast control

This control adjusts the display contrast.

D [F1]–[F4] buttons

These buttons select a page from a multi-page screen. Selecting a tab at the bottom of the

screen using one of these buttons displays the corresponding page. (See page 28 for more

information on displaying a page.)

Tip: The ST IN section is not affected by the layer settings.

1-16 17-32 MASTER REMOTE

LAYER

1 2 3

STEREO

OVER

0

-3

-6

-9

-12

-15

-18

-24

-30

-36

-48

4

1

5

2

3

6

20 Chapter 2—Control Surface & Rear Panel

01V96 Version 2—Owner’s Manual

E Left Tab Scroll [ ] button

F Right Tab Scroll [ ] button

If there are more pages available than the four whose tabs are currently displayed, use these

buttons to display the additional tabs. These buttons are available only when the left or right

Tab Scroll arrow appears.

SELECTED CHANNEL Section

A [PAN] control

This control adjusts the pan of the channel selected by the [SEL] button.

B [HIGH] button

C [HIGH-MID] button

D [LOW-MID] button

E [LOW] button

These buttons select the EQ band (HIGH, HIGH-MID, LOW-MID, LOW) of the channel

selected by the [SEL] button. The corresponding button indicator of the currently-selected

band lights up.

F [Q] control

This control adjusts the currently-selected band Q.

G [FREQUENCY] control

This control adjusts the currently-selected band frequency.

H [GAIN] control

This control adjusts the currently-selected band gain.

Tab Scroll arrow

EQUALIZER

HIGH

HIGH-MID

LOW-MID

LOW

Q

FREQUENCY

GAIN

SELECTED CHANNEL

PA N

1

2

3

4

5

6

7

8

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