Yamaha SY85 Ohjekirja

YAMAHA

SY85 Music Synthesizer

Owner’s Manual 2

- Feature Reference -

GENERAL EDITING PROCEDURE

PATTERN EDIT MODE

SONG EDIT MODE

DRUM VOICE EDIT MODE

VOICE EDIT MODE

PERFORMANCE EDIT MODE

UTILITY MODE

WAVE EDIT MODE

APPENDIX

2

CONTENTS

GENERAL EDITING PROCEDURE

■ Mode Selection .............................................8

■ Selecting Specific Edit Functions...............8

■ Selecting & Editing Parameters................10

■ Controller Assignment Display..................11

Performance Edit Mode

■ Edit

1: Layer

1: Voice Number .................................14

2: Volume .............................................15

3: Pan ...................................................16

4: Tune .................................................17

5: Note Limit ........................................18

6: Velocity Limit...................................20

7: CS Enable .......................................22

Layer Data Copy.................................23

2: Performance Total Level .....................24

3: Performance Name ..............................25

4: Layer Voice Edit

1: Oscillator..........................................26

2: Amplitude EG..................................26

3: Filter .................................................26

4: Pitch EG ..........................................26

5: LFO ..................................................26

6: Controller .........................................26

7: Voice Total Level ...........................26

8: Voice Name.....................................26

■ Quick Edit

1: Amplitude EG Offset............................27

2: LFO & Filter Offset ..............................29

3: Controller Conditions ...........................31

4: Other Conditions ..................................33

5: Effect Type............................................35

6: Effect Parameter ..................................36

■ Effect Edit

1: Mode, Type ...........................................37

2: Send Select & Level............................38

3: Layer Dry Output Select .....................40

4: Output Level .........................................41

5: Wet : Dry Balance ...............................42

6: Send & Effect 2 Mix Level .................43

7: Effect 1 Parameters.............................44

8: Effect 2 Parameters.............................44

9: Control Parameters ..............................45

10: Control LFO ........................................47

Effect Data Copy.......................................48

Effect Signal Flow Display.......................49

■ Job

1: Layer Controller Sync..........................50

2: Layer Exchange....................................51

3: Performance Edit Recall .....................52

4: Performance Initialize ..........................53

■ Performance Compare...............................54

■ Performance Store .....................................55

Voice Edit Mode

■ Edit

1: Oscillator................................................58

2: Amplitude EG

1: AEG Level & Rate .........................60

2: Level Scaling ..................................62

3: Sensitivity ........................................63

AEG Data Copy...................................64

3: Filter

1: Type, Cutoff Frequency.................65

2: Cutoff Scaling .................................69

3: FEG Level & Rate..........................70

4: Filter Sensitivity ..............................72

Filter Data Copy..................................73

4: Pitch EG

1: Level & Rate...................................74

2: Range, Sensitivity...........................76

Pitch EG Data Copy...........................77

5: LFO

1: LFO ..................................................78

3

2: LFO Speed Sensitivity...................80

LFO Data Copy ...................................81

6: Controller

1: Pitch Bend Range ..........................82

2: Modulation Wheel Depth ...............83

3: Foot Controller Depth ....................85

4: After Touch Depth..........................87

5: CS3 Parameter Edit.......................89

6: CS4 Parameter Edit.......................91

Controller Data Copy..........................93

7: Voice Total Level ...........................94

8: Voice Name.....................................95

■ Quick Edit

1: Wave......................................................96

2: Amplitude EG........................................98

3: Filter.................................................... 100

4: LFO ..................................................... 102

5: Effect Type......................................... 103

6: Effect Parameter ............................... 104

■ Effect Edit

1: Mode, Type ........................................ 105

2: Send, Mix, Wet : Dry........................ 106

3: Output Level ...................................... 108

4: Effect 1 Parameters.......................... 109

5: Effect 2 Parameters.......................... 109

6: Control Parameters ........................... 110

7: Effect LFO.......................................... 112

Effect Data Copy.................................... 113

Effect Signal Flow Display.................... 114

■ Job

1: Voice Edit Recall............................... 115

2: Voice Initialize ................................... 116

■ Voice Compare ........................................ 117

■ Voice Store............................................... 118

Drum Voice Edit Mode

■ Edit

1: Key Parameters 1 ............................. 120

2: Key Parameters 2 ............................. 122

3: Total Level ......................................... 123

4: Drum Voice Name............................. 124

Drum Key Data Copy ............................ 125

■ Quick Edit

1: Effect Type......................................... 126

2: Effect Send Level.............................. 127

■ Effect Edit

1: Mode, Type ........................................ 128

2: Key Send Select & Level................. 129

3: Key Dry Output Select ..................... 131

4: Output Level ...................................... 132

5: Wet : Dry Balance ............................ 133

6: Send & Effect 2 Mix Level .............. 134

7: Effect 1 Parameter2.......................... 135

8: Effect 2 Parameter2.......................... 135

9: Control Parameters ........................... 136

10: Control LFO ..................................... 138

Effect Data Copy.................................... 139

Effect Signal Flow Display.................... 140

■ Job

1: Key Data Initialize............................. 141

2: Key Data Exchange .......................... 142

3: Drum Voice Edit Recall.................... 143

4: Drum Voice Initialize......................... 144

■ Drum Voice Compare ............................. 145

■ Drum Voice Store.................................... 146

4

Song Edit Mode

■ Multi Edit

1: Voice Select ....................................... 148

2: Volume................................................ 149

3: Pan...................................................... 150

4: Effect Send Level.............................. 151

5: Note Shift ........................................... 152

6: Tune.................................................... 153

7: Effect Type, Out Balance................. 154

8: Song Name ........................................ 155

9: Song Initialize .................................... 156

■ Track Edit ................................................. 157

■ Effect Edit

1: Mode, Type ........................................ 166

2: Send Select & Level......................... 167

3: Inst Dry Output Select...................... 169

4: Output Level ...................................... 170

5: Wet : Dry Balance ............................ 171

6: Send & Effect 2 Mix Level .............. 172

7: Effect 1 Parameters.......................... 173

8: Effect 2 Parameters.......................... 173

9: Control Parameters ........................... 174

10: Control LFO ..................................... 176

Effect Data Copy.................................... 177

Effect Signal Flow Display.................... 178

■ Job

1: Clear Song ......................................... 179

2: Copy Song ......................................... 180

3: Memory Status/Clear Rhythm Track

.................................................... 181,182

4: Track Mixdown................................... 183

5: Delete Track ...................................... 185

6: Quantize ............................................. 186

7: Copy Measure ................................... 188

8: Delete Measure ................................. 190

9: Insert Measure................................... 191

10: Erase Measure ................................ 192

11: Remove Event ................................. 193

12: Clock Move ...................................... 195

13: Transpose......................................... 196

14: Note Shift ......................................... 197

15: Velocity Modify ................................ 198

16: Gate Time Modify ........................... 199

17: Crescendo ........................................ 200

Pattern Edit Mode

■ Job

1: Copy Pattern...................................... 202

2: Clear Pattern...................................... 203

3: Instrument Change............................ 204

4: Velocity Modify .................................. 205

■ Pattern Name........................................... 207

Utility Mode

■ Synth Setup

1: System................................................ 210

2: MIDI 1 (Channel Parameters) ......... 212

3: MIDI 2 (Other Parameters).............. 213

4: Program Change Table .................... 215

5: Velocity ............................................... 216

■ SEQ Setup

1: Click Condition................................... 217

2: Record Condition............................... 219

3: Accent Velocity.................................. 220

4: Song Chain ........................................ 221

■ Bulk Dump

1: all......................................................... 222

2: synth all.............................................. 222

3: sequencer all ..................................... 222

4: pattern all ........................................... 222

5: 1 performance.................................... 222

6: 1 voice ................................................ 222

7: 1 song................................................. 222

5

■ Card

1: Card All Load/Save........................... 223

2: Card Format....................................... 224

■ Disk

1: Disk All Load/Save............................ 225

2: Disk All Load/Save Synth ................ 225

3: Disk All Load/Save Seq ................... 225

4: Disk NSEQ Load/Save ..................... 225

5: Disk Other Load/Save ...................... 225

6: MDR .................................................... 228

7: Rename/Delete .................................. 231

8: Backup Disk....................................... 232

9: Disk Status......................................... 234

10: Disk Format ..................................... 235

Wave Edit Mode

■ Wave Number Select .............................. 239

■ Edit

1: Waveform

1: Wave Assign ................................ 240

2: Wave Name ................................. 240

2: Sample

1: Sample Key Map......................... 243

2: Sample Data ................................ 243

■ Wave Initialize.......................................... 247

■ Sample Dump

1: Sample Dump Recieve..................... 248

2: Sample Dump Transmit.................... 249

■ Wave Card Load ..................................... 250

■ Wave Disk Load/Save 1 Sample .......... 251

■ Wave Memory Status Display................ 252

APPENDIX

■ EFFECTS.................................................. 254

Effect Signal Flow Diagrams — Voice

Mode........................................................ 256

Effect Signal Flow Diagrams — Drum Voice,

Performance, and Song Modes..................

264

The Effects & Their Parameters.......... 274

■ WAVE MEMORY EXPANSION.............. 285

Memory Installation................................ 286

■ INITIAL DATA & BLANK CHART

INITIAL PERFORMANCE “InitPerf” ..... 289

INITIAL NORMAL VOICE “InitVce”...... 290

INITIAL DRUM VOICE “DR PTN”........ 292

INITIAL DRUM VOICE “DR Zones”..... 294

INITIAL DRUM VOICE “DR GMIDI” .... 296

INITIAL DRUM VOICE “DR Efect” ...... 298

INITIAL MULTI “InitSong” ..................... 300

SYSTEM SETUP.................................... 301

INTERNAL PERFORMANCE LIST (1)....

302

INTERNAL PERFORMANCE LIST (2)....

304

INTERNAL VOICE LIST (1).................. 306

INTERNAL VOICE LIST (2).................. 307

INTERNAL VOICE LIST (3).................. 308

INTERNAL VOICE LIST (4).................. 309

INTERNAL WAVE LIST......................... 310

BLANK CHART — PERFORMANCE... 311

BLANK CHART — VOICE.................... 312

BLANK CHART — DRUM VOICE ....... 314

BLANK CHART — MULTI .................... 316

BLANK CHART — SYSTEM SETUP .. 317

■ About the Standard MIDI File Format .. 318

■ SPECIFICATIONS ................................... 319

■ ERROR MESSAGES............................... 320

■ TROUBLE SHOOTING............................ 324

■ INDEX ....................................................... 326

GENERAL EDITING

PROCEDURE

■ Mode Selection ........................................... 8

■ Selecting Specific Edit Functions ............... 8

■ Selecting & Editing Parameters ............... 10

■ Controller Assignment Display ................. 11

8

The SY85 makes editing easy by providing a consistent, logical control

interface via which parameters can be located and edited. Once you’ve learned

the general procedure, you can locate and edit any of the SY85’s many param-

eters quickly and easily.

■ Mode Selection

All SY85 edit modes are selected via the MODE matrix keys. To select the

VOICE EDIT mode, for example, press the VOICE mode key so that its indica-

tor lights, than press the second SUB MODE key in the VOICE column

(EDIT).

■ Selecting Specific Edit Functions

Once you’ve selected an edit mode, one way to select the various edit

screens and functions it contains is to use the PAGE [ ] and [ ] keys. The

[ ] and [ ] keys step backward and forward through the available screens,

respectively. Hold either of these keys for continuous stepping in the specified

direction.

An alternative method is to use the [MENU] key. If you press the [MENU]

key ion the VOICE EDIT mode, for example, you’ll see a display something

like this:

GENERAL EDITING PROCEDURE

The illustrations here are not available.

9

From this display you can use either the data entry dial or the [-1] and [+1]

keys to directly select any of the 8 available functions, then press the [ENTER/

YES] key to actually select the specified function.

In some cases the PAGE [ ] and [ ] or [MENU] keys will take you to

another entry screen. If you select “3: Filter” after pressing the [MENU] key in

the VOICE EDIT mode, and then press [ENTER/YES], you’ll see the following

display:

“Hit [ENTER]” will be flashing. In this case press [ENTER/YES] again to

access the filter functions. Once in the filter “sub-mode” you can use the PAGE

[ ] and [ ] or [MENU] keys to select the various filter functions, as de-

scribed above. When you have finished with the filter functions, press [EXIT/

NO] to return to the normal VOICE EDIT mode.

GENERAL EDITING PROCEDURE

The illustrations here are not available.

10

■ Selecting & Editing Parameters

Most SY85 edit screens contain several parameters that can be selected and

edited. In most cases you can simply operate the continuous slider immediately

below the parameter you want to edit on the display. Operating a slider auto-

matically moves the underline cursor to the corresponding parameter. In the

example below, for example (this is the VOICE EDIT mode Oscillator screen),

the [CS5] slider can be used to adjust the “Fine” parameter.

The parameters can also be edited by first moving the cursor to the required

parameter by pressing the corresponding function key ([F7], for example, would

select the “Rndm” parameter in the above display), and then by using either the

data entry dial or the [-1] and [+1] keys to adjust the parameter’s value.

In some special cases you’ll also use the function keys as parameter

“switches,” and the [SHIFT] key is sometimes called into play to access sec-

ondary functions. Such exceptions are described in the appropriate sections of

the manual.

GENERAL EDITING PROCEDURE

The illustrations here are not available.

11

■ Controller Assignment Display

It is possible to assign a wide range of parameters to be controlled by the

[CS1] through [CS4] sliders when playing in the VOICE or PERFORMANCE

PLAY modes. Since it is easy to forget what parameters have been assigned to

which sliders, the SY85 features a controller assignment display that can be

selected temporarily by pressing the [SHIFT] key in the VOICE or PERFORM-

ANCE PLAY mode.

● PERFORMANCE PLAY mode

● VOICE PLAY mode

● DRUM VOICE PLAY mode

This display shows the names of the parameters assigned to sliders [CS1]

through [CS4] for the current voice or performance combination, so you can

take a quick peek to refresh your memory even while playing.

GENERAL EDITING PROCEDURE

PERFORMANCE EDIT MODE

14

1: VOICE NUMBER

[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] →

→ [MENU] → 1:Voice Number → [ENTER/YES]

SY85 performance combinations can have up to four voices assigned to different

“layers” — A, B, C and D. This screen lets you assign voices to the layers.

PERFORMANCE EDIT MODE / 1:Layer

Voice Number A, B, C, D

Range: off, A1 … H7 (internal & card)

Controls: MEMORY, GROUP, PROGRAM, [CS2], [CS4], [CS6], [CS8],

[-1] [+1], Dial

After moving the cursor to the layer you want to edit by pressing the [F2],

[F4], [F6] or [F8] function key, use the [INTERNAL 1], [INTERNAL 2], and

[CARD] keys to select the memory area from which the voice is to be selected,

and then use the GROUP and PROGRAM keys to select the voice. Voices

within the selected memory bank can also be selected directy for each layer by

the [CS2], [CS4], [CS6], and [CS8] keys. Internal and card voices cannot be

mixed.

The voices can individually turned on or off by using the [-] (off) and [+]

(on) keys while holding the [SHIFT] key.

The name of the currently selected voice is shown in the upper right corner

of the display. The characters “ABCD” to the right of the voice name indicate

the status of each voice:

• Capital letter = voice on.

• Lower-case letter = voice muted.

• “-” = voice is off.

For example, “Ab-D” indicates that voices A and D are on, voice B is

muted, and voice C is off.

F1

CS1

F2

CS2

F3

CS3

F4

CS4

F5

CS5

F6

CS6

F7

CS7

F8

CS8

15PERFORMANCE EDIT MODE / 1:Layer

2: VOLUME

For optimum balance between the voices in a performance combination, this

screen allows the volume of each voice to be adjusted individually.

The name of the currently selected voice/layer is shown in the upper right

corner of the display. The characters “ABCD” to the right of the voice name

indicate the status of each voice: a capital letter if the voice is on, a lower-case

letter if the voice is muted, and a dash if the voice is off.

Volume

Range: 0 … 127

Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial

Use the [CS2], [CS4], [CS6], and [CS8] sliders to adjust the volume levels

of the A, B, C, and D layer voices, respectively. A setting of “0” produces no

sound, while a setting of “127” produces maximum volume. The vertical bar

graphs next to each parameter provide a visual indication of volume levels —

the longer the bar the higher the volume. Voices that are turned off are indi-

cated by “----” on the display.

[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] →

→ [MENU] → 2:Volume → [ENTER/YES]

F1

CS1

F2

CS2

F3

CS3

F4

CS4

F5

CS5

F6

CS6

F7

CS7

F8

CS8

16

3: PAN

[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] →

→ [MENU] → 3:Pan → [ENTER/YES]

In multi-layer performance combinations, interesting stereo effects can be pro-

duced by placing the output from different layers at different locations in the stereo

sound field. The parameters in this screen determine the position in the stereo sound

field in which the sound from each active layer will be heard (left to right).

PERFORMANCE EDIT MODE / 1:Layer

The name of the currently selected voice/layer is shown in the upper right

corner of the display. The characters “ABCD” to the right of the voice name

indicate the status of each voice: a capital letter if the voice is on, a lower-case

letter if the voice is muted, and a dash if the voice is off.

Pan

Range: -31 … +31

Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial

Use the [CS2], [CS4], [CS6], and [CS8] sliders to adjust the pan positions

of the A, B, C, and D layer voices, respectively. Minus values represent pan-

ning to the left, and positive values represent panning to the right. “0” posi-

tions the sound of the selected layer in the center of the stereo sound field.

Voices that are turned off are indicated by “---” on the display. The upper line

of the display also shows a graphic representation of the stereo sound field

with “L” representing “left” and “R” representing “right.” As you change the

pan value the vertical bar will appear at the corresponding position on the

graphic display.

F1

CS1

F2

CS2

F3

CS3

F4

CS4

F5

CS5

F6

CS6

F7

CS7

F8

CS8

17PERFORMANCE EDIT MODE / 1:Layer

4: TUNE

More than just simple tuning, the note shift and fine tune parameters make it

possible to create harmony and voice-thickening detune effects between layers.

[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] →

→ [MENU] → 4:Tune → [ENTER/YES]

The name of the currently selected voice/layer is shown in the upper right

corner of the display. The characters “ABCD” to the right of the voice name

indicate the status of each voice: a capital letter if the voice is on, a lower-case

letter if the voice is muted, and a dash if the voice is off.

NtShft (Note shift)

Range: -63 … +63

Controls: [CS1], [CS3], [CS5], [CS7], [-1] [+1], Dial

Individually shifts the pitch of each active element up or down in semitone

steps.

Use the [CS1], [CS3], [CS5], and [CS7] sliders to shift the pitch of the A,

B, C, and D layer voices, respectively. A setting of “-12,” for example, shifts

the pitch of the selected layer down by one octave; a setting of “+4” shifts the

pitch up by a major third.

The Note Shift parameter can be used to transpose a voice to its most

useful range, or to create harmony (intervals) between different layers in a

performance combination.

Voices that are turned off are indicated by “---” on the display.

Fine (Fine tuning)

Range: -7 … +7

Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial

Allows slight upward or downward pitch adjustment of each active element.

Use the [CS2], [CS4], [CS6], and [CS8] sliders to fine tune the A, B, C,

and D layer voices, respectively.

The maximum minus setting of “-7” produces a downward pitch shift of

approximately 2 cents (a “cent” is 1/100th of a semitone), and the maximum

plus setting of “+7” produces an upward pitch shift of approximately 2 cents. A

setting of “0” produces no pitch change.

The Fine parameter allows different layers in a performance combination to

be slightly detuned in relation to each other, thereby “thickening” the overall

sound.

Voices that are turned off are indicated by “--” on the display.

F1

CS1

F2

CS2

F3

CS3

F4

CS4

F5

CS5

F6

CS6

F7

CS7

F8

CS8

18

5: NOTE LIMIT

[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] →

→ [MENU] → 5:Note Limit → [ENTER/YES]

The low and high note limit parameters make it possible to create a range of split

keyboard effects using the performance layers. You could have two layers on either

side of a single split point, a four-way split keyboard, or any other possible combina-

tion.

PERFORMANCE EDIT MODE / 1:Layer

The name of the currently selected voice/layer is shown in the upper right

corner of the display. The characters “ABCD” to the right of the voice name

indicate the status of each voice: a capital letter if the voice is on, a lower-case

letter if the voice is muted, and a dash if the voice is off.

Lo (Low note limit)

Range: C-2 … G8

Controls: [CS1], [CS3], [CS5], [CS7], [-1] [+1], Dial,

[SHIFT]+keyboard

Individually sets the low note limit for each active layer (the lowest note

that each layer will produce).

Use the [CS1], [CS3], [CS5], and [CS7] sliders to set the low note limits of

the A, B, C, and D layer voices, respectively. It is also possible to press the

desired note on the keyboard while holding the [SHIFT] key.

The C-2 to G8 range of this parameter covers a full 10-1/2 octaves. “C3”

corresponds to “middle C” on a keyboard.

This parameter, in conjunction with the High Note Limit parameter de-

scribed below, allows the sound from a layer to be limited to a specific region

of the keyboard. If the Low Note Limit is set to C3 and the High Note Limit

for the same layer is set to C4, for example, the sound from that layer will

only be produced between C3 and C4 — the octave immediately above middle

C. This makes it simple to produce split voices.

If the High Note Limit is set to a note that is

lower than the Low Note

Limit for the same layer, the notes between the high and low limits will not

sound.

Voices that are turned off are indicated by “---” on the display.

F1

CS1

F2

CS2

F3

CS3

F4

CS4

F5

CS5

F6

CS6

F7

CS7

F8

CS8

≥ ≥ ≥ ≥

19PERFORMANCE EDIT MODE / 1:Layer

Hi (High note limit)

Range: C-2 … G8

Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial,

[SHIFT]+keyboard

Individually sets the high note limit for each active layer (the highest note

that each layer will produce).

Use the [CS2], [CS4], [CS6], and [CS8] sliders to set the high note limits

of the A, B, C, and D layer voices, respectively. It is also possible to press the

desired note on the keyboard while holding the [SHIFT] key.

See the “Lo” parameter, above, for more details.

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